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  Volume 51, Number 4, Summer 2012

Table of Contents

Cranked Masculinity: Hypermediation in Digital Action Cinema

pp. 1-25 | DOI: 10.1353/cj.2012.0079

Fatal Attractions: "Place," the Korean War, and Gender in Niagara

pp. 26-43 | DOI: 10.1353/cj.2012.0082

Television Crime Drama and Homeland Security: From Law & Order to "Terror TV"

pp. 44-65 | DOI: 10.1353/cj.2012.0085

The "Monumental" Heroine: Female Agency in Joseph Gaï Ramaka's Karmen Geï

pp. 66-86 | DOI: 10.1353/cj.2012.0088

Media Heterotopia and Transnational Filmmaking: Mapping Real and Virtual Worlds

pp. 87-109 | DOI: 10.1353/cj.2012.0071

A Country for Old Men: Unforgiven, The Shootist, and the Post-Heyday Western

pp. 110-129 | DOI: 10.1353/cj.2012.0074

Three Translations: Sergei Tretyakov (Soviet Union), Juan Piqueras (Spain), and Matsumoto Toshio (Japan)

Introduction to Sergei Tretyakov: The Industry Production Screenplay

pp. 130-138 | DOI: 10.1353/cj.2012.0091

The Industry Production Screenplay

pp. 133-138 | DOI: 10.1353/cj.2012.0096

Introduction to Juan Piqueras: Amateur Cinema in Nuestro cinema

pp. 138-143 | DOI: 10.1353/cj.2012.0092

Juan Piqueras Biography

pp. 139-141 | DOI: 10.1353/cj.2012.0097

Our Amateur Cinema in Nuestro cinema

pp. 142-143 | DOI: 10.1353/cj.2012.0098

Introduction to Matsumoto Toshio: A Theory of Avant-Garde Documentary

pp. 144-154 | DOI: 10.1353/cj.2012.0093

A Theory of Avant-Garde Documentary

pp. 148-154 | DOI: 10.1353/cj.2012.0099


p. 154 | DOI: 10.1353/cj.2012.0095

Festival Report: Forty-Ninth New York Film Festival September 30–October 16, 2011

Forty-Ninth New York Film Festival, Film Society of Lincoln Center, September 30-October 16, 2011

pp. 155-159 | DOI: 10.1353/cj.2012.0081

In Focus: Right-Wing Media


pp. 160-165 | DOI: 10.1353/cj.2012.0084

Jack Webb and the Vagaries of Right-Wing TV Entertainment

pp. 165-171 | DOI: 10.1353/cj.2012.0087

Rush Limbaugh with a Laugh-Track: The (Thankfully) Short Life of the 1/2 Hour News Hour

pp. 172-178 | DOI: 10.1353/cj.2012.0090

Fox News and the Performance of Ideology

pp. 178-185 | DOI: 10.1353/cj.2012.0073

Branding the Right: The Affective Economy of Sarah Palin

pp. 185-191 | DOI: 10.1353/cj.2012.0076

"The Homo Depot" and Other Works: Critiquing Vernacular Video

pp. 191-197 | DOI: 10.1353/cj.2012.0080

Rush Limbaugh and the Problem of the Color Line

pp. 198-204 | DOI: 10.1353/cj.2012.0083


p. 205 | DOI: 10.1353/cj.2012.0086

Book Reviews: Right-Wing Media

Review Essay: The Critique of Conservative Media

pp. 206-209 | DOI: 10.1353/cj.2012.0089

Review Essay: Glenn Beck and the Politics of Affect

pp. 209-212 | DOI: 10.1353/cj.2012.0072

Echo Chamber: Rush Limbaugh and the Conservative Media Establishment (review)

pp. 212-214 | DOI: 10.1353/cj.2012.0075

An Army of Phantoms: American Movies and the Making of the Cold War (review)

pp. 215-218 | DOI: 10.1353/cj.2012.0078


p. 218 | DOI: 10.1353/cj.2012.0094

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