1. Cranked Masculinity: Hypermediation in Digital Action Cinema
  2. Lorrie Palmer
  3. pp. 1-25
  4. DOI: 10.1353/cj.2012.0079
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  1. Fatal Attractions: "Place," the Korean War, and Gender in Niagara
  2. Merrill Schleier
  3. pp. 26-43
  4. DOI: 10.1353/cj.2012.0082
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  1. Television Crime Drama and Homeland Security: From Law & Order to "Terror TV"
  2. Yvonne Tasker
  3. pp. 44-65
  4. DOI: 10.1353/cj.2012.0085
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  1. The "Monumental" Heroine: Female Agency in Joseph Gaï Ramaka's Karmen Geï
  2. Anjali Prabhu
  3. pp. 66-86
  4. DOI: 10.1353/cj.2012.0088
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  1. Media Heterotopia and Transnational Filmmaking: Mapping Real and Virtual Worlds
  2. Hye Jean Chung
  3. pp. 87-109
  4. DOI: 10.1353/cj.2012.0071
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  1. A Country for Old Men: Unforgiven, The Shootist, and the Post-Heyday Western
  2. Jean-Christophe Cloutier
  3. pp. 110-129
  4. DOI: 10.1353/cj.2012.0074
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  1. The Industry Production Screenplay
  2. Sergei Tretyakov, Mihaela Mihailova, Masha Salazkina
  3. pp. 133-138
  4. DOI: 10.1353/cj.2012.0096
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  1. Juan Piqueras Biography
  2. Lisa Jarvinen
  3. pp. 139-141
  4. DOI: 10.1353/cj.2012.0097
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  1. Our Amateur Cinema in Nuestro cinema
  2. Juan Piqueras, Lisa Jarvinen
  3. pp. 142-143
  4. DOI: 10.1353/cj.2012.0098
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  1. A Theory of Avant-Garde Documentary
  2. Matsumoto Toshio, Michael Raine
  3. pp. 148-154
  4. DOI: 10.1353/cj.2012.0099
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  1. Forty-Ninth New York Film Festival, Film Society of Lincoln Center, September 30-October 16, 2011
  2. Martha P. Nochimson
  3. pp. 155-159
  4. DOI: 10.1353/cj.2012.0081
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  1. Jack Webb and the Vagaries of Right-Wing TV Entertainment
  2. Christopher Sharrett
  3. pp. 165-171
  4. DOI: 10.1353/cj.2012.0087
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  1. Rush Limbaugh with a Laugh-Track: The (Thankfully) Short Life of the 1/2 Hour News Hour
  2. Geoffrey Baym
  3. pp. 172-178
  4. DOI: 10.1353/cj.2012.0090
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  1. Fox News and the Performance of Ideology
  2. Jeffrey P. Jones
  3. pp. 178-185
  4. DOI: 10.1353/cj.2012.0073
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  1. Branding the Right: The Affective Economy of Sarah Palin
  2. Laurie Ouellette
  3. pp. 185-191
  4. DOI: 10.1353/cj.2012.0076
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  1. Rush Limbaugh and the Problem of the Color Line
  2. Allison Perlman
  3. pp. 198-204
  4. DOI: 10.1353/cj.2012.0083
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  1. Review Essay: The Critique of Conservative Media
  2. Daniel Marcus
  3. pp. 206-209
  4. DOI: 10.1353/cj.2012.0089
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  1. Review Essay: Glenn Beck and the Politics of Affect
  2. Tim Raphael
  3. pp. 209-212
  4. DOI: 10.1353/cj.2012.0072
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  1. Echo Chamber: Rush Limbaugh and the Conservative Media Establishment (review)
  2. Steven Classen
  3. pp. 212-214
  4. DOI: 10.1353/cj.2012.0075
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  1. An Army of Phantoms: American Movies and the Making of the Cold War (review)
  2. Jonathan Kirshner
  3. pp. 215-218
  4. DOI: 10.1353/cj.2012.0078
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  1. Introduction to Sergei Tretyakov: The Industry Production Screenplay
  2. Masha Salazkina
  3. pp. 130-138
  4. DOI: 10.1353/cj.2012.0091
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  1. Introduction to Juan Piqueras: Amateur Cinema in Nuestro cinema
  2. Masha Salazkina
  3. pp. 138-143
  4. DOI: 10.1353/cj.2012.0092
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  1. Introduction to Matsumoto Toshio: A Theory of Avant-Garde Documentary
  2. Michael Raine
  3. pp. 144-154
  4. DOI: 10.1353/cj.2012.0093
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  1. Contributors
  2. p. 154
  3. DOI: 10.1353/cj.2012.0095
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  1. Introduction
  2. Heather Hendershot
  3. pp. 160-165
  4. DOI: 10.1353/cj.2012.0084
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  1. "The Homo Depot" and Other Works: Critiquing Vernacular Video
  2. Robert Glenn Howard
  3. pp. 191-197
  4. DOI: 10.1353/cj.2012.0080
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  1. Contributors
  2. p. 205
  3. DOI: 10.1353/cj.2012.0086
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  1. Contributors
  2. p. 218
  3. DOI: 10.1353/cj.2012.0094
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