restricted access   Volume 52, Number 1, Fall 2012

Table of Contents

Cinematic Destiny: Marvel Studios and the Trade Stories of Industrial Convergence

pp. 1-24
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From Irony to Narrative Crisis: Reconsidering the Femme Fatale in the Films of David Lynch

pp. 25-44
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Postclassical Nonfiction: Narration in the Contemporary Documentary

pp. 45-65
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Zombie Media: Transmission, Reproduction, and the Digital Dead

pp. 66-89
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Mobile Endings: Screen Death, Early Narrative, and the Films of D. W. Griffith

pp. 90-106
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Nacer Khemir and the Subject of Beauty in Bab'Aziz: The Prince Who Contemplated His Soul

pp. 107-126
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The Impact of Technological Innovations on the Historiography and Theory of Cinema: Second Annual Conference of the Permanent Seminar on Histories of Film Theories Montreal, November 1-6, 2011

pp. 127-131
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In Focus: Middle Eastern Media

Introduction

pp. 132-136
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Spectators to Revolution: Western Audiences and the Arab Spring's Rhetorical Consistency

pp. 137-142
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Dreaming of Counterrevolution: Rami al-I'tisami and the Pre-Negation of Protest

pp. 143-148
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Framing the Internet in the Arab Revolutions: Myth Meets Modernity

pp. 148-156
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The Yacoubian Building: A Slice of Pre-January 25 Egyptian Society?

pp. 156-159
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Egypt's Uprising and the Shifting Spatialities of Politics

pp. 160-166
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Shall We Dance?

pp. 166-171
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Contributors

p. 172
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Book Reviews: Middle Eastern Media

Cultural Encounters in the Arab World: On Media, the Modern, and the Everyday (review)

pp. 173-175
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Contemporary Arab Broadcast Media (review)

pp. 176-178
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The Arab Public Sphere in Israel: Media Space and Cultural Resistance (review)

pp. 179-181
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Contributors

p. 182
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Errata

p. 183
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Forthcoming

p. 198
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