Volume 51, Number 3, Spring 2012

Table of Contents

Articles

Cinema of Failed Revolt: Brian De Palma and the Death(s) of the Left

pp. 1-24
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The Work of Film in the Age of Fordist Mechanization

pp. 25-51
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Historicizing the Shadows and the Acts: No Way Out and the Imagining of Black Activist Communities

pp. 52-73
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"Smothered in Baked Alaska": The Anxious Appeal of Widescreen Cinema

pp. 74-96
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White Noise: Performing the White, Middle-Class Family on 1930s Radio

pp. 97-118
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In Focus: Performance

Introduction

pp. 119-122
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Kissing as Telling: Some Thoughts on the Cultural History of Media Performance

pp. 123-128
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The Mirror of Performance: Kinaesthetics, Subjectivity, and the Body in Film, Television, and Virtual Worlds

pp. 129-136
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Nonfictional Performance from Portrait Films to the Internet

pp. 136-141
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Adding Up the Gestures: What We See of Harry Lime

pp. 142-149
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The Performance of Listening: Samuel Beckett's That Time

pp. 150-155
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Contributors

p. 156
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Book Reviews: Performance

Loving Lucy, Performing Biography

pp. 157-162
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It's the Pictures That Got Small: Hollywood Film Stars on 1950s Television (review)

pp. 162-164
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Television Personalities: Stardom and the Small Screen (review)

pp. 165-167
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The Factory of Gestures: Body Language in Film (review)

pp. 168-170
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Contributors

p. 171
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