1. Adjectives and the Work of Modernism in an Age of Celebrity
  2. Aaron Jaffe
  3. pp. 1-37
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  1. Eliot's Recessional: Four Quartets, National Allegory, and the End of Empire
  2. Joshua Esty
  3. pp. 39-60
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  1. On Auto-Ethnographic Authority
  2. James Buzard
  3. pp. 61-91
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  1. Wordsworthian Wakefulness
  2. Sara Emilie Guyer
  3. pp. 93-111
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  1. Representation and Event: Anselm Kiefer, Joseph Beuys, and the Memory of the Holocaust
  2. Matthew Biro
  3. pp. 113-146
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  1. Why Performance? Why Now? Textuality and the Rearticulation of Human Presence
  2. Julia A. Walker
  3. pp. 149-175
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  1. Messing with the Idyllic: The Performance of Femininity in Kushner's Angels in America
  2. Natalie Meisner
  3. pp. 177-189
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  1. What Remains of Jean Genet?
  2. Mara De Gennaro
  3. pp. 190-209
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  1. Celebrity Erotics: Pepys, Performance, and Painted Ladies
  2. Joseph R. Roach
  3. pp. 211-230
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  1. Introduction: Performing the Text, Performing the Self
  2. Donia Mounsef
  3. pp. 147-148
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  1. Notes on Contributors
  2. pp. 231-232
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