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Table of Contents

  1. Notes on Contributors
  3. pp. 231-232
  4. DOI: https://doi.org/10.1353/yale.2003.0003
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Articles

  1. Adjectives and the Work of Modernism in an Age of Celebrity
  2. Aaron Jaffe
  3. pp. 1-37
  4. DOI: https://doi.org/10.1353/yale.2003.0007
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  1. Eliot's Recessional: Four Quartets, National Allegory, and the End of Empire
  2. Joshua Esty
  3. pp. 39-60
  4. DOI: https://doi.org/10.1353/yale.2003.0005
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  1. On Auto-Ethnographic Authority
  2. James Buzard
  3. pp. 61-91
  4. DOI: https://doi.org/10.1353/yale.2003.0002
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  1. Wordsworthian Wakefulness
  2. Sara Emilie Guyer
  3. pp. 93-111
  4. DOI: https://doi.org/10.1353/yale.2003.0006
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  1. Representation and Event: Anselm Kiefer, Joseph Beuys, and the Memory of the Holocaust
  2. Matthew Biro
  3. pp. 113-146
  4. DOI: https://doi.org/10.1353/yale.2003.0001
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Performing the Text, Performing the Self

  1. Introduction: Performing the Text, Performing the Self
  2. Donia Mounsef
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/yale.2003.0009
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  1. Why Performance? Why Now? Textuality and the Rearticulation of Human Presence
  2. Julia A. Walker
  3. pp. 149-175
  4. DOI: https://doi.org/10.1353/yale.2003.0011
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  1. Messing with the Idyllic: The Performance of Femininity in Kushner's Angels in America
  2. Natalie Meisner
  3. pp. 177-189
  4. DOI: https://doi.org/10.1353/yale.2003.0008
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  1. What Remains of Jean Genet?
  2. Mara De Gennaro
  3. pp. 190-209
  4. DOI: https://doi.org/10.1353/yale.2003.0004
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  1. Celebrity Erotics: Pepys, Performance, and Painted Ladies
  2. Joseph R. Roach
  3. pp. 211-230
  4. DOI: https://doi.org/10.1353/yale.2003.0010
  5. restricted access