In this Issue
Renaissance Drama is an annual publication dedicated to the investigation of traditional canons of drama, as well as to the exploration of the significance of performance, broadly construed, in early modern cultures. Each volume presents essays that question or apply newer forms of interpretation on the study of early modern plays, theater, and performance. Articles also address works written in traditions other than the English, the discourses that shaped and were shaped by the varied institutions of drama across Europe and beyond its borders within which it was produced, and manifestations of performance and performativity both on and off the theatrical stage.
published by
Northwestern University Pressviewing issue
New Series 38, 2010Editorial Board
Editors
Jeffrey Masten, Northwestern University
William N. West, Northwestern University
Editorial Committee
Albert Ascoli, University of California, Berkeley
Leonard Barkan, Princeton University
David Bevington, University of Chicago
A. R. Braunmuller, University of California, Los Angeles
Alan Dessen, University of North Carolina
Frances E. Dolan, University of California, Davis
Barbara Hodgdon, University of Michigan
Jean E. Howard, Columbia University
G. K. Hunter, Yale University
Theodore B. Leinwand, University of Maryland, College Park
Leah S. Marcus, Vanderbilt University
Kathleen E. McLuskie, University of Birmingham, The Shakespeare Institute
Louis A. Montrose, University of California, San Diego
Timothy Reiss, New York University
Mary Beth Rose, University of Illinois at Chicago
Garrett A. Sullivan Jr., Pennsylvania State University
Elissa Weaver, University of Chicago
W. B. Worthen, Barnard College
Former Editors
S. Schoenbaum, 1956–76
Leonard Barkan, 1977–85
Mary Beth Rose, 1985–99
Wendy Wall, 1999–2005
