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Table of Contents

  1. Mercifixion in The Merchant of Venice: The Riches of Embarrassment
  2. Harry Berger Jr.
  3. pp. 3-45
  4. DOI: https://doi.org/10.1353/rnd.2010.0004
  5. restricted access
  1. "A Gentle and No Jew": Jessica, Portia, and Jewish Identity
  2. Lara Bovilsky
  3. pp. 47-76
  4. DOI: https://doi.org/10.1353/rnd.2010.0006
  5. restricted access
  1. Shakespeare's Jewish Questions
  2. David Nirenberg
  3. pp. 77-113
  4. DOI: https://doi.org/10.1353/rnd.2010.0008
  5. restricted access
  1. Resistance Theory Meets Drama: Tudor Seneca
  2. Linda Woodbridge
  3. pp. 115-139
  4. DOI: https://doi.org/10.1353/rnd.2010.0010
  5. restricted access
  1. The Discourses of Friendship and the Structural Imagination of Shakespeare's Theater: Montaigne, Twelfth Night, De Gournay
  2. David Schalkwyk
  3. pp. 141-171
  4. DOI: https://doi.org/10.1353/rnd.2010.0001
  5. restricted access
  1. The "Figure of Exchange": Shakespeare's "Master Mistress," Jonson's Epicene, and the English Art of Rhetoric
  2. Jenny C. Mann
  3. pp. 173-198
  4. DOI: https://doi.org/10.1353/rnd.2010.0002
  5. restricted access
  1. Success the Whitefriars Way: Ram Alley and the Negative Force of Acting
  2. Jeremy Lopez
  3. pp. 199-224
  4. DOI: https://doi.org/10.1353/rnd.2010.0003
  5. restricted access
  1. Improvisation in the Commedia dell'Arte in its Golden Age: Why, What, How
  2. Natalie Crohn Schmitt
  3. pp. 225-249
  4. DOI: https://doi.org/10.1353/rnd.2010.0005
  5. restricted access
  1. The Rebirth of Tragedy, or No Time for Shakespeare (Germany, 1940)
  2. Andreas Höfele
  3. pp. 251-268
  4. DOI: https://doi.org/10.1353/rnd.2010.0007
  5. restricted access
  1. Notes on Contributors
  3. pp. 269-271
  4. DOI: https://doi.org/10.1353/rnd.2010.0009
  5. restricted access

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New Series 39, 2011