Volume 50, Number 3, Spring 2011The Benshi Track: Mizoguchi Kenji's The Downfall of Osen and the Sound Transition
pp. 1-25
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DOI: 10.1353/cj.2011.0025
A Certain Explicitness: Objectivity, History, and the Documentary Self
pp. 26-44
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DOI: 10.1353/cj.2011.0028
Localized Globalization and a Monster National: The Host and the South Korean Film Industry
pp. 45-61
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DOI: 10.1353/cj.2011.0031
"Henri Bergson Talks to Us About Cinema," by Michel Georges-Michel from Le Journal, February 20, 1914
pp. 79-82
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DOI: 10.1353/cj.2011.0036
Mini-Dossier: Teaching Our Research . . . and Researching Our Teaching
My Students and Betty White: American Television History in the Classroom
pp. 86-88
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DOI: 10.1353/cj.2011.0042
Teaching Institutional Analysis to Fourth-Year Cinema and Media Studies Majors
pp. 89-91
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DOI: 10.1353/cj.2011.0043
Classroom Encounters: Dislocation, Globalization, and Cultural Knowledge
pp. 91-92
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DOI: 10.1353/cj.2011.0044
Cinema Ritrovato
Women and the Silent Screen VI: Bologna, Italy, June 24-26, 2010
pp. 102-105
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DOI: 10.1353/cj.2011.0026
In Focus: Comics Studies Fifty Years After Film Studies
What's in a Name?: The Academic Study of Comics and the "Graphic Novel"
pp. 123-126
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DOI: 10.1353/cj.2011.0033
Digital Comics, Circulation, and the Importance of Being Eric Sluis
pp. 127-134
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DOI: 10.1353/cj.2011.0035
