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In this Issue

Table of Contents

  1. The Benshi Track: Mizoguchi Kenji's The Downfall of Osen and the Sound Transition
  2. Chika Kinoshita
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/cj.2011.0025
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  1. A Certain Explicitness: Objectivity, History, and the Documentary Self
  2. Joshua Malitsky
  3. pp. 26-44
  4. DOI: https://doi.org/10.1353/cj.2011.0028
  5. restricted access
  1. Localized Globalization and a Monster National: The Host and the South Korean Film Industry
  2. Nikki J. Y. Lee
  3. pp. 45-61
  4. DOI: https://doi.org/10.1353/cj.2011.0031
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  1. Out of the Screen and into the Theater: 3-D Film as Demo
  2. Elizabeth Sandifer
  3. pp. 62-78
  4. DOI: https://doi.org/10.1353/cj.2011.0034
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  1. "Henri Bergson Talks to Us About Cinema," by Michel Georges-Michel from Le Journal, February 20, 1914
  2. Louis-Georges Schwartz
  3. pp. 79-82
  4. DOI: https://doi.org/10.1353/cj.2011.0036
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Mini-Dossier: Teaching Our Research . . . and Researching Our Teaching

  1. Introduction
  2. Ted Hovet, Elizabeth A. Lathrop
  3. pp. 83-84
  4. DOI: https://doi.org/10.1353/cj.2011.0039
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  1. Researching Your Teaching: A Mini-Manifesto
  2. Frank P. Tomasulo
  3. pp. 84-86
  4. DOI: https://doi.org/10.1353/cj.2011.0041
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  1. My Students and Betty White: American Television History in the Classroom
  2. Marsha F. Cassidy
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/cj.2011.0042
  5. restricted access
  1. Teaching Institutional Analysis to Fourth-Year Cinema and Media Studies Majors
  2. John McCullough
  3. pp. 89-91
  4. DOI: https://doi.org/10.1353/cj.2011.0043
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  1. Classroom Encounters: Dislocation, Globalization, and Cultural Knowledge
  2. Karen Orr Vered
  3. pp. 91-92
  4. DOI: https://doi.org/10.1353/cj.2011.0044
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  1. Introducing Film Studies
  2. Jon Lewis
  3. pp. 93-95
  4. DOI: https://doi.org/10.1353/cj.2011.0037
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  1. Contributors
  3. pp. 95-96
  4. DOI: https://doi.org/10.1353/cj.2011.0038
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Cinema Ritrovato

  1. Cinema Ritrovato: Bologna, Italy, June 26-July 3, 2010
  2. Haden Guest
  3. pp. 97-101
  4. DOI: https://doi.org/10.1353/cj.2011.0023
  5. restricted access
  1. Women and the Silent Screen VI: Bologna, Italy, June 24-26, 2010
  2. Victoria Duckett
  3. pp. 102-105
  4. DOI: https://doi.org/10.1353/cj.2011.0026
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In Focus: Comics Studies Fifty Years After Film Studies

  1. Introduction
  2. Bart Beaty
  3. pp. 106-110
  4. DOI: https://doi.org/10.1353/cj.2011.0022
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  1. It Ain't Easy Studying Comics
  2. Greg M. Smith
  3. pp. 110-112
  4. DOI: https://doi.org/10.1353/cj.2011.0024
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  1. Why Comics Studies?
  2. Angela Ndalianis
  3. pp. 113-117
  4. DOI: https://doi.org/10.1353/cj.2011.0027
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  1. Why I Hate Superhero Movies
  2. Scott Bukatman
  3. pp. 118-122
  4. DOI: https://doi.org/10.1353/cj.2011.0030
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  1. What's in a Name?: The Academic Study of Comics and the "Graphic Novel"
  2. Catherine Labio
  3. pp. 123-126
  4. DOI: https://doi.org/10.1353/cj.2011.0033
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  1. Digital Comics, Circulation, and the Importance of Being Eric Sluis
  2. Darren Wershler
  3. pp. 127-134
  4. DOI: https://doi.org/10.1353/cj.2011.0035
  5. restricted access
  1. Contributors
  3. p. 134
  4. DOI: https://doi.org/10.1353/cj.2011.0020
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  1. Surveying the World of Contemporary Comics Scholarship: A Conversation
  2. Greg M. Smith
  3. pp. 135-147
  4. DOI: https://doi.org/10.1353/cj.2011.0032
  5. restricted access
  1. Contributors
  3. p. 147
  4. DOI: https://doi.org/10.1353/cj.2011.0040
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