1. How Bridget Was Framed: The Irish Domestic in Early American Cinema, 1895–1917
  2. Peter Flynn
  3. pp. 1-20
  4. DOI: 10.1353/cj.2011.0017
  5. restricted access View | Download |
  1. Writer in the Hole: Desny v. Wilder, Copyright Law, and the Battle over Ideas
  2. Eric Hoyt
  3. pp. 21-40
  4. DOI: 10.1353/cj.2011.0000
  5. restricted access View | Download |
  1. Visual Aesthetics and Ways of Seeing: Comparing Ringu and The Ring
  2. Valerie Wee
  3. pp. 41-60
  4. DOI: 10.1353/cj.2011.0003
  5. restricted access View | Download |
  1. Traces of War: Memory, Trauma, and the Archive in Joseph Cedar's Beaufort
  2. Raz Yosef
  3. pp. 61-83
  4. DOI: 10.1353/cj.2011.0006
  5. restricted access View | Download |
  1. Hollywood Gossip as Public Sphere: Hedda Hopper, Reader-Respondents, and the Red Scare, 1947–1965
  2. Jennifer Frost
  3. pp. 84-103
  4. DOI: 10.1353/cj.2011.0009
  5. restricted access View | Download |
  1. Tarkovsky's Nostalghia: Refusing Modernity, Re-Envisioning Beauty
  2. Christy L. Burns
  3. pp. 104-122
  4. DOI: 10.1353/cj.2011.0012
  5. restricted access View | Download |
  1. Eleventh International Domitor Conference: University of Toronto and Ryerson University, Toronto, Canada, June 13–16, 2010
  2. Louis Pelletier
  3. pp. 123-127
  4. DOI: 10.1353/cj.2011.0015
  5. restricted access View | Download |
  1. In Conversation: Creativity in the Contemporary Cable Industry
  2. Alisa Perren
  3. pp. 132-138
  4. DOI: 10.1353/cj.2011.0002
  5. restricted access View | Download |
  1. They Should Suffer Like the Rest of Us: Queer Equality in Narrative Mediocrity
  2. Kelly Kessler
  3. pp. 139-144
  4. DOI: 10.1353/cj.2011.0005
  5. restricted access View | Download |
  1. The Culture Behind Closed Doors: Issues of Gender and Race in the Writers' Room
  2. Felicia D. Henderson
  3. pp. 145-152
  4. DOI: 10.1353/cj.2011.0008
  5. restricted access View | Download |
  1. Nobody with a Good Script Needs to Be Justified
  2. Jonathan Nichols-Pethick
  3. pp. 153-159
  4. DOI: 10.1353/cj.2011.0011
  5. restricted access View | Download |
  1. Defining Television Excellence "On Its Own Terms": The Peabody Awards and Negotiating Discourses of Quality
  2. Lindsay H. Garrison
  3. pp. 160-165
  4. DOI: 10.1353/cj.2011.0014
  5. restricted access View | Download |
  1. East Asian Screen Industries (review)
  2. Zhang Zhen
  3. pp. 170-172
  4. DOI: 10.1353/cj.2011.0004
  5. restricted access View | Download |
  1. Hollywood Independents: The Postwar Talent Takeover, and: Hidden Talents: The Emergence of Hollywood Agents (review)
  2. Kathryn Fuller-Seeley
  3. pp. 173-175
  4. DOI: 10.1353/cj.2011.0007
  5. restricted access View | Download |
  1. Video and DVD Industries (review)
  2. Paul J. Torre
  3. pp. 176-178
  4. DOI: 10.1353/cj.2011.0010
  5. restricted access View | Download |
  1. Selling Sounds: The Commercial Revolution in American Music (review)
  2. Kyle S. Barnett
  3. pp. 179-181
  4. DOI: 10.1353/cj.2011.0013
  5. restricted access View | Download |
  1. Introduction
  2. Sharon Marie Ross
  3. pp. 128-131
  4. DOI: 10.1353/cj.2011.0019
  5. restricted access View | Download |
  1. Contributors
  2. p. 166
  3. DOI: 10.1353/cj.2011.0018
  4. restricted access View | Download |
  1. Introduction: The "Bad Romance" of Media Industry Studies
  2. Justin Wyatt
  3. pp. 167-170
  4. DOI: 10.1353/cj.2011.0001
  5. restricted access View | Download |
  1. Contributors
  2. p. 181
  3. DOI: 10.1353/cj.2011.0016
  4. restricted access View | Download |