1. Errata
  2. p. 4
  3. DOI: 10.1353/mod.0.0108
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  1. Faking It New
  2. Alan Golding
  3. pp. 474-477
  4. DOI: 10.1353/mod.0.0129
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  1. MySpace Modernism
  2. David M. Earle
  3. pp. 478-481
  4. DOI: 10.1353/mod.0.0134
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  1. Counter-Intuitive Innovation
  2. Marsha Bryant
  3. pp. 482-484
  4. DOI: 10.1353/mod.0.0131
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  1. Making It (New) as a Graduate Teaching Assistant
  2. Sarah Copland
  3. pp. 485-488
  4. DOI: 10.1353/mod.0.0133
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  1. Modernism in Black & White
  2. Suzanne W. Churchill
  3. pp. 489-492
  4. DOI: 10.1353/mod.0.0132
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  1. IKEA Modernism and the Perils of Innovation
  2. Michael Sayeau
  3. pp. 493-495
  4. DOI: 10.1353/mod.0.0130
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  1. Versioning Virginia Woolf: Notes toward a Post-eclectic Edition of Three Guineas
  2. Rebecca Wisor
  3. pp. 497-535
  4. DOI: 10.1353/mod.0.0115
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  1. A Car, a Plane, and a Tower: Interrogating Public Images in Mrs. Dalloway
  2. Benjamin D. Hagen
  3. pp. 537-551
  4. DOI: 10.1353/mod.0.0119
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  1. “The Place on the Map”: Geography and Meter in Hardy’s Elegies
  2. Eve Sorum
  3. pp. 553-574
  4. DOI: 10.1353/mod.0.0124
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  1. Shit Writing: Mulk Raj Anand’s Untouchable, the Image of Gandhi, and the Progressive Writers’ Association
  2. Ben Conisbee Baer
  3. pp. 575-595
  4. DOI: 10.1353/mod.0.0104
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  1. Escape, and: Take Me Away From My Wounded Men, and: There is a Monster in the Valley, and: Prefatory Note
  2. Mary Borden
  3. pp. 601-607
  4. DOI: 10.1353/mod.0.0105
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  1. “Of What is Past, or Passing, or To Come”: Recent Yeats Scholarship
  2. George Bornstein
  3. pp. 609-614
  4. DOI: 10.1353/mod.0.0116
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  1. Antipodean Autonomy and Contingency
  2. Eileen Chanin
  3. pp. 615-621
  4. DOI: 10.1353/mod.0.0120
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  1. Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde (review)
  2. Ilya Parkins
  3. pp. 623-625
  4. DOI: 10.1353/mod.0.0122
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  1. Germany’s Other Modernity: Munich and the Making of Metropolis, 1895–1930 (review)
  2. Gavriel D. Rosenfeld
  3. pp. 625-626
  4. DOI: 10.1353/mod.0.0123
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  1. The Feminist Avant-Garde: Transatlantic Encounters of the Early Twentieth Century (review)
  2. Ann Ardis
  3. pp. 627-628
  4. DOI: 10.1353/mod.0.0125
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  1. Kafka and Cultural Zionism: Dates in Palestine, and: Kafka and Photography (review)
  2. Chris Danta
  3. pp. 629-631
  4. DOI: 10.1353/mod.0.0121
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  1. Die Karrieren der Vicki Baum: Eine Biographie (review)
  2. Lawrence Rainey
  3. pp. 632-633
  4. DOI: 10.1353/mod.0.0128
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  1. A-Quiver with Significance, Marianne Moore 1932–1936 (review)
  2. Cristanne Miller
  3. pp. 634-635
  4. DOI: 10.1353/mod.0.0117
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  1. The Modernist Papers (review)
  2. Will Norman
  3. pp. 639-641
  4. DOI: 10.1353/mod.0.0118
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  1. Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century (review)
  2. Camara Dia Holloway
  3. pp. 641-643
  4. DOI: 10.1353/mod.0.0106
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  1. So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography (review)
  2. Annalisa Zox-Weaver
  3. pp. 643-645
  4. DOI: 10.1353/mod.0.0127
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  1. The Image of the English Gentleman in Twentieth-Century Literature: Englishness and Nostalgia (review)
  2. Adrian S. Wisnicki
  3. pp. 645-647
  4. DOI: 10.1353/mod.0.0107
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  1. Infinitely Demanding: Ethics of Commitment, Politics of Resistance (review)
  2. Sam B. Girgus
  3. pp. 647-648
  4. DOI: 10.1353/mod.0.0126
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  1. Money, Speculation and Finance in Contemporary British Fiction (review)
  2. Nick Bentley
  3. pp. 649-650
  4. DOI: 10.1353/mod.0.0110
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  1. Diary of a Lost Girl (Tagebuch einer Verlorenen) (review)
  2. Peter Jelavich
  3. pp. 651-653
  4. DOI: 10.1353/mod.0.0111
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  1. Recent Books of Interest
  2. pp. 655-659
  3. DOI: 10.1353/mod.0.0114
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  1. Introduction
  2. Helen Sword
  3. pp. 471-473
  4. DOI: 10.1353/mod.0.0112
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  1. Introduction
  2. Jennifer Gromada
  3. pp. 599-600
  4. DOI: 10.1353/mod.0.0109
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