1. Great War, Cold War, Total War
  2. Jan Mieszkowski
  3. pp. 211-228
  4. DOI: 10.1353/mod.0.0094
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  1. Cosmic Upset: Cultural Revolution and the Contradictions of Zora Neale Hurston
  2. Robert Seguin
  3. pp. 229-253
  4. DOI: 10.1353/mod.0.0089
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  1. Charlotte Mew's Aftereffects
  2. Joseph Bristow
  3. pp. 255-280
  4. DOI: 10.1353/mod.0.0084
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  1. Two Cheers for Tolerance: E. M. Forster's Ironic Liberalism and the Indirections of Style
  2. Paul B. Armstrong
  3. pp. 281-299
  4. DOI: 10.1353/mod.0.0079
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  1. Dynamite Violence and Literary Culture
  2. Sarah Cole
  3. pp. 301-328
  4. DOI: 10.1353/mod.0.0074
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  1. Total Theater and the Missing Pieces of the Brazilian Avant-Garde
  2. Sarah J. Townsend
  3. pp. 329-355
  4. DOI: 10.1353/mod.0.0092
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  1. From Surrealism to Popular Art: Paul Deharme’s Radio Theory
  2. Anke Birkenmaier
  3. pp. 357-374
  4. DOI: 10.1353/mod.0.0087
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  1. The Sounds of Joyce
  2. p. 375
  3. DOI: 10.1353/mod.0.0082
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  1. The Music of Joyce's Vernacular Voices
  2. Margot Norris
  3. pp. 377-382
  4. DOI: 10.1353/mod.0.0101
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  1. Joyce's Noises
  2. Maud Ellmann
  3. pp. 383-390
  4. DOI: 10.1353/mod.0.0077
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  1. "The Twining Stresses, Two by Two": The Prosody of Joyce's Prose
  2. Vincent J. Cheng
  3. pp. 391-399
  4. DOI: 10.1353/mod.0.0072
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  1. "Proposition for a Radiophonic Art”
  2. Paul Deharme, Anke Birkenmaier
  3. pp. 406-413
  4. DOI: 10.1353/mod.0.0102
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  1. Radio Syntheses
  2. Jeffrey T. Schnapp
  3. p. 415
  4. DOI: 10.1353/mod.0.0085
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  1. Discipline and Media
  2. Christy Wampole
  3. p. 421
  4. DOI: 10.1353/mod.0.0080
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  1. Disciplining the Gramophone, Radio, Telephone, and Television
  2. Rudolf Arnheim, Christy Wampole
  3. pp. 422-426
  4. DOI: 10.1353/mod.0.0100
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  1. Apes, Tyros, and Humans: Wyndham Lewis's Portraits
  2. Thomas Karshan
  3. pp. 427-433
  4. DOI: 10.1353/mod.0.0075
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  1. Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity (review)
  2. Mary Hunter
  3. pp. 435-437
  4. DOI: 10.1353/mod.0.0083
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  1. Fateful Beauty: Aesthetic Environments, Juvenile Development, and Literature 1860–1960 (review)
  2. Michael D. Snediker
  3. pp. 437-439
  4. DOI: 10.1353/mod.0.0091
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  1. Embattled Avant-Gardes: Modernism's Resistance to Commodity Culture in Europe (review)
  2. Laura Winkiel
  3. pp. 439-441
  4. DOI: 10.1353/mod.0.0076
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  1. Mourning Modernity: Literary Modernism and the Injuries of American Capitalism (review)
  2. Janet Galligani Casey, Greg Forter
  3. pp. 441-444
  4. DOI: 10.1353/mod.0.0088
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  1. Feeling Modern: The Eccentricities of Public Life (review)
  2. Omri Moses
  3. pp. 444-446
  4. DOI: 10.1353/mod.0.0069
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  1. Picturing the New Negro: Harlem Renaissance Print Culture and Modern Black Identity (review)
  2. Emily Bernard
  3. pp. 446-448
  4. DOI: 10.1353/mod.0.0096
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  1. Modernism and Fascism: The Sense of a Beginning under Mussolini and Hitler (review)
  2. Marla Stone
  3. pp. 448-450
  4. DOI: 10.1353/mod.0.0086
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  1. Re-forming Britain: Narratives of Modernity before Reconstruction (review)
  2. Bruce Peter
  3. pp. 450-451
  4. DOI: 10.1353/mod.0.0095
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  1. Form Follows Fun: Modernism and Modernity in British Pleasure Architecture 1925-1940 (review)
  2. Elizabeth Darling
  3. pp. 452-453
  4. DOI: 10.1353/mod.0.0093
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  1. Orwell in Context: Communities, Myths, Values (review)
  2. Christine Berberich
  3. pp. 453-455
  4. DOI: 10.1353/mod.0.0070
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  1. Prophet Singer: The Voice and Vision of Woody Guthrie (review)
  2. Will Kaufman
  3. pp. 455-457
  4. DOI: 10.1353/mod.0.0078
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  1. New Collected Poems (review)
  2. John Wilkinson
  3. pp. 457-459
  4. DOI: 10.1353/mod.0.0081
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  1. James Merrill: Knowing Innocence, and: James Merrill and W. H. Auden: Homosexuality and Poetic Influence (review)
  2. Timothy Materer
  3. pp. 459-462
  4. DOI: 10.1353/mod.0.0073
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  1. Bicycle Thieves (Ladri di biciclette) (review)
  2. Torunn Haaland
  3. pp. 463-465
  4. DOI: 10.1353/mod.0.0071
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  1. Recent Books of Interest
  2. pp. 467-470
  3. DOI: 10.1353/mod.0.0097
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  1. A Preface to Futurism (on the 100 year anniversary of the publication of the Foundation and Manifesto of Futurism)
  2. Jeffrey T. Schnapp
  3. pp. 203-209
  4. DOI: 10.1353/mod.0.0098
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  1. "Proposition for a Radiophonic Art": Introduction
  2. Anke Birkenmaier
  3. pp. 403-405
  4. DOI: 10.1353/mod.0.0090
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