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Women's Studies, Gender, and Sexuality > LGBT Studies

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Gay TV and Straight America Cover

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Gay TV and Straight America

Ron Becker

After decades of silence on the subject of homosexuality, television in the 1990s saw a striking increase in programming that incorporated and, in many cases, centered on gay material. In shows including Friends, Seinfeld, Party of Five, Homicide, Suddenly Susan, The Commish, Ellen, Will & Grace, and others, gay characters were introduced, references to homosexuality became commonplace, and issues of gay and lesbian relationships were explored, often in explicit detail.In Gay TV and Straight America, Ron Becker draws on a wide range of political and cultural indicators to explain this sudden upsurge of gay material on prime-time network television. Bringing together analysis of relevant Supreme Court rulings, media coverage of gay rights battles, debates about multiculturalism, concerns over political correctness, and much more, Becker's assessment helps us understand how and why televised gayness was constructed by a specific culture of tastemakers during the decade.On one hand the evidence points to network business strategies that embraced gay material as a valuable tool for targeting a quality audience of well-educated, upscale adults looking for something "edgy" to watch. But, Becker also argues that the increase of gay material in the public eye creates growing mainstream anxiety in reaction to the seemingly civil public conversation about equal rights.In today's cultural climate where controversies rage over issues of gay marriage yet millions of viewers tune in weekly to programs like Queer Eye for the Straight Guy, this book offers valuable insight to the complex condition of America's sexual politics.

Gertrude Stein and the Essence of What Happens Cover

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Gertrude Stein and the Essence of What Happens

Dana Cairns Watson

In this provocative study, Dana Cairns Watson traces Gertrude Stein’s growing fascination with the cognitive and political ramifications of conversation and how that interest influenced her writing over the course of her career. No book in recent decades has illuminated so many of Stein’s works so extensively—from the early fiction of The Making of Americans to the poetry of Tender Buttons to her opera libretto The Mother of Us All. Seeking to sustain Stein’s lively, pleasant, populist spirit, Watson shows how the writer’s playful entanglement of sight and sound—of silent reading and social speaking—reveals the crucial ambiguity by which reading and conversation build communities of meaning, and thus form not only personal relationships but also our very selves and the larger political structures we inhabit. Stein reminds us that the residual properties of words and the implications behind the give-and-take of ordinary conversation offer alternatives to linear structures of social order, alternatives especially precious in times of political oppression. For example, her novels Mrs. Reynolds and Brewsie and Willie, both written in embattled Vichy France, contemplate the speech patterns of totalitarian leaders and the ways in which everyday discourse might capitulate to—or resist—such verbal tyranny. Like recent theorists, Stein recognized the repressiveness of conventional order—carried in language and thus in thought and social organization—but as Cairns Watson persuasively shows, she also insisted that the free will of individuals can persist in language and enable change. In the play of literary aesthetics, Stein saw a liberating force.

Global Emergence Of Gay & Lesbian Pol Cover

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Global Emergence Of Gay & Lesbian Pol

Since the Stonewall rebellion in 1969, gay and lesbian movements have  grown from small outposts in a few major cities to a worldwide mobilization. This book brings together stories of the emergence and growth of movements in more than a dozen nations on five continents, with a comparative look that offers insights for both activists and those who study social movements.

Lesbian and gay groups have existed for  more than a century, often struggling against enormous odds. In the middle of the twentieth century, movement organizations were suppressed or swept away by fascism, Stalinism, and McCarthyism. Refounded by a few pioneers in the postwar period, movements have risen again as more and more people have stood up for their right to love and live with persons of their choice.

This book addresses both the mature movements of the European Union, North America, and Australia and the newer movements emerging in Latin America, Eastern Europe, and parts of Asia and Africa, examining the social and political conditions that shape movement opportunities and trajectories. It is rich in the details of gay and lesbian cultural and political life in different countries.

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GLQ: A Journal of Lesbian and Gay Studies

Vol. 5, no. 3 (1999); Vol. 6 (2000) through current issue

Providing a much-needed forum for interdisciplinary discussion, GLQ publishes scholarship, criticism, and commentary in areas as diverse as law, science studies, religion, political science, and literary studies. Its aim is to offer queer perspectives on all issues touching on sex and sexuality. In an effort to achieve the widest possible historical, geographic, and cultural scope, GLQ particularly seeks out new research into historical periods before the twentieth century, into non-Anglophone cultures, and into the experience of those who have been marginalized by race, ethnicity, age, social class, body morphology, or sexual practice. A notable feature is "The GLQ Archive," a special section featuring previously unpublished or unavailable primary materials that may serve as sources for future work in lesbian and gay studies.

God Hates Fags Cover

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God Hates Fags

The Rhetorics of Religious Violence

Michael Cobb

2007 Choice Outstanding Academic Title

At the funeral of Matthew Shepard—the young Wyoming man brutally murdered for being gay—the Reverend Fred Phelps led his parishioners in protest, displaying signs with slogans like “Matt Shepard rots in Hell,” “Fags Die God Laughs,” and “God Hates Fags.” In counter-protest, activists launched an “angel action,” dressing in angel costumes, with seven-foot high wings, and creating a visible barrier so one would not have to see the hateful signs.

Though long thought of as one of the most virulently anti-gay genres of contemporary American politics and culture, in God Hates Fags, Michael Cobb maintains that religious discourses have curiously figured as the most potent and pervasive forms of queer expression and activism throughout the twentieth century. Cobb focuses on how queers have assumed religious rhetoric strategically to respond to the violence done against them, alternating close readings of writings by James Baldwin, Tennessee Williams, Jean Toomer, Dorothy Allison, and Stephen Crane with critical legal and political analyses of Supreme Court Cases and anti-gay legislation. He also pays deep attention to the political strategies, public declarations, websites, interviews, and other media made by key religious right organizations that have mounted the most successful regulations and condemnations of homosexuality.

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Grassroots Literacies

Lesbian and Gay Activism and the Internet in Turkey

Serkan Görkemli

Examines the grassroots activism of an Internet-mediated collegiate lesbian and gay organization in Turkey.

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A Heaven of Words

Last Journals, 1956–1984

Charm, wit, compassion, wisdom, literature, nature, sex, humor, politics, sorrow, love: these themes fill the late journal pages of enigmatic American writer Glenway Wescott. From humble beginnings on a poor Wisconsin farm, Wescott went on to study at the University of Chicago, narrowly survive the Spanish flu pandemic, and eventually emerge as an influential poet and novelist. A major figure in the American literary expatriate community in Paris during the 1920s and a prominent American novelist in the years leading up to World War II, he spent a decade living abroad before relocating permanently to New York and New Jersey with his partner, Museum of Modern Art publications director and curator Monroe Wheeler. Together they mixed with such intellectual and creative greats as Jean Cocteau, Colette, George Platt Lynes, Paul Cadmus, Somerset Maugham, Christopher Isherwood, Marianne Moore, W.H. Auden, Truman Capote, Joseph Campbell, and scores of other luminaries. During the second half of his life, Wescott wrote nonfiction essays and worked for the Academy-Institute of Arts and Letters, all the while keeping journals in which he recorded the experiences that fostered his love of life, literature, the arts, and humanity. A Heaven of Words looks back on Wescott's entire fascinating life, and reveals the riveting narrative of his last decades.

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Henry James and the Queerness of Style

Kevin Ohi

Kevin Ohi begins this energetic book with the proposition that to read Henry James—particularly the late texts—is to confront the queer potential of style and the traces it leaves on the literary life. In contrast to other recent critics, Ohi asserts that James’s queerness is to be found neither in the homoerotic thematics of the texts, however startlingly explicit, nor in the suggestions of same-sex desire in the author’s biography, however undeniable, but in his style.

For Ohi, there are many elements in the style that make James’s writing queer. But if there is a thematic marker, Ohi shows through his careful engagements with these texts, it is belatedness. The recurrent concern with belatedness, Ohi explains, should be understood not psychologically but stylistically, not as confessing the sad predicament of being out of sync with one’s life but as revealing the consequences of style’s refashioning of experience. Belatedness marks life’s encounter with style, and it describes an experience not of deprivation but of the rich potentiality of the literary work that James calls “freedom.” In Ohi’s reading, belatedness is the indicator not of sublimation or repression, nor of authorial self-sacrifice, but of the potentiality of the literary—and hence of the queerness of style.

Presenting original readings of a series of late Jamesian texts, the book also represents an exciting possibility for queer theory and literary studies in the future: a renewed attention to literary form and a new sounding—energized by literary questions of style and form—of the theoretical implications of queerness.

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Heterosexual Plots and Lesbian Narratives

Marilyn Farwell

What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable?

Marilyn Farwell here examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley, Jeanette Winterson, Gloria Naylor, and Marilyn Hacker to address these questions. Dividing their writings into two genres--the romantic story and the heroic, or quest, story, Farwell addresses some of the most problematic issues at the intersection of literature, sex, gender, and postmodernism.

Illustrating how the generational conflict between the lesbian- feminists of twenty years ago and the queer theorists of today stokes the critical fires of contemporary lesbian and literary theory, Heterosexual Plots and Lesbian Narratives concludes by arguing for a broad and generous definition of lesbian writing.

Homecoming Queers Cover

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Homecoming Queers

Desire and Difference in Chicana Latina Cultural Production

Marivel T. Danielson

Homecoming Queers provides a critical discussion of the multiple strategies used by queer Latina authors and artists in the United States to challenge silence and invisibility within mainstream media, literary canons, and theater spaces. Marivel T. Danielson's analysis reveals the extensive legacy of these cultural artists, including novelists, filmmakers, students and activists, comedians, performers, and playwrights. By clearly discussing the complexities and universalities of ethnic, racial, sexual, gender, and class intersections between queer Chicana and U.S. Latinas, Danielson explores the multiple ways identity shapes and shades creative expression.

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