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The 23rd Psalm Cover

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The 23rd Psalm

A Holocaust Memoir

George Lucius Salton, with Anna Salton Eisen

In September, 1939, George Lucius Salton's boyhood in Tyczyn, Poland, was shattered by escalating violence and terror under German occupation. His father, a lawyer, was forbidden to work, but eleven-year-old George dug potatoes, split wood, and resourcefully helped his family. They suffered hunger and deprivation, a forced march to the Rzeszow ghetto, then eternal separation when fourteen-year-old George and his brother were left behind to labor in work camps while their parents were deported in boxcars to die in Belzec. For the next three years, George slaved and barely survived in ten concentration camps, including Rzeszow, Plaszow, Flossenburg, Colmar, Sachsenhausen, Braunschweig, Ravensbrück, and Wobbelin. Cattle cars filled with skeletal men emptied into a train yard in Colmar, France. George and the other prisoners marched under the whips and fists of SS guards. But here, unlike the taunts and rocks from villagers in Poland and Germany, there was applause. "I could clearly hear the people calling: "Shame! Shame!" . . . Suddenly, I realized that the people of Colmar were applauding us! They were condemning the inhumanity of the Germans!" Of the 500 prisoners of the Nazis who marched through the streets of Colmar in the spring of 1944, just fifty were alive one year later when the U.S. Army 82nd Airborne Division liberated the Wobbelin concentration camp on the afternoon of May 2, 1945. "I felt something stir deep within my soul. It was my true self, the one who had stayed deep within and had not forgotten how to love and how to cry, the one who had chosen life and was still standing when the last roll call ended."

24 Cover

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24

By John McCullough

For eight seasons between 2001 and 2010, Fox’s 24 garnered critical accolades and became one of the most watched and discussed shows in primetime. In an innovative premise, the show’s hour-long episodes were meant to represent a real-time hour of the story, so that each twenty-four-episode season depicts a single day in the life of its characters. Influential as a popular hit, 24 was also closely linked with the “culture of fear” that dominated the post-9/11 period. In this insightful study, author John McCullough demonstrates that the series was not only unique and trendsetting, but also a complex creative response to its historical context. In three chapters, McCullough looks at 24’s form, style, and overarching themes and meanings. He argues that although the series is driven by the political and cultural shifts brought on by the War on Terror, it is routinely out of step with real history. Using Linda Williams’s distinction between the melodramatic mode and melodrama as a genre, McCullough explores 24’s use of the action-adventure and spy thriller forms with particular attention paid to the series’ hero, Jack Bauer, who is depicted as a tragic hero perpetually in search of a return to innocence. Ultimately, McCullough finds that the series’ distinction lies less in its faithful re-creation of the history of the WOT than in its evocation of the sense of crises and paranoia that defined the period. McCullough also analyzes 24 as a response to television culture in the “post-network” age, characterized by reality TV’s populist appeal and visceral content, on the one hand, and sophisticated boutique cable programming (“quality TV”), on the other. McCullough demonstrates that 24 engaged not only with the most pressing issues of world history and the geopolitics of its time, including terrrorism, neoliberalism, and the state of exception, but, on the strength of its form and style, also represents significant global trends in television culture. Fans of the show and media history scholars will appreciate this thorough study.

The 25-Year War Cover

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The 25-Year War

America's Military Role in Vietnam

General Bruce Palmer, Jr.

" On April 30, 1975, Saigon and the government of South Vietnam fell to the communist regime of North Vietnam, ending -- for American military forces -- exactly twenty-five year of courageous but unavailing struggle. This is not the story of how America became embroiled in a conflict in a small country half-way around the globe, nor of why our armed forces remained there so long after the futility of our efforts became obvious to many. It is the story of what went wrong there militarily, and why. The author is a professional soldier who experienced the Vietnam war in the field and in the highest command echelons. General Palmer's insights into the key events and decisions that shaped American's military role in Vietnam are uncommonly perceptive. America's most serious error, he believes, was committing its armed forces to a war in which neither political nor military goals were ever fully articulated by our civilian leaders. Our armed forces, lacking clear objectives, failed to develop an appropriate strategy, instead relinquishing the offensive to Hanoi. Yet an achievable strategy could have been devised, Palmer believes. Moreover, our South Vietnamese allies could have been bolstered by appropriate aid but were instead overwhelmed by the massive American military presence. Compounding these errors were the flawed civilian and military chains of command. The result was defeat for America and disaster for South Vietnam. General Palmer presents here an insider's history of the war and an astute critique of America's military strengths and successes as well as its weaknesses and failures.

The 2nd ASEAN Reader Cover

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The 2nd ASEAN Reader

Sharon Siddique and Sree Kumar

The Second ASEAN Reader is a sequel to the first ASEAN Reader, published by ISEAS in 1992. Some of the classic readings from the original ASEAN Reader have been incorporated into this new compilation, but the majority of the readings cover the events from to1993–2003. During this decade ASEAN as an organization was revamped, and its membership increased from six to ten. ASEAN has had to carve a niche in the proliferation of regional associations and bilateral relationships which mark the accelerating era of globalization. The economic pivot point for the decade was certainly the 1997 Asian crisis, while the war on terrorism has had a ripple effect on intra-ASEAN co-operation. ASEAN’s resilience and ability to adapt has allowed the organization to navigate on a steady course into the 21st century.

30 Days with the Gospel of Luke Cover

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30 Days with the Gospel of Luke

Reflections & Meditations based on the Commentary of St. Bonaventure

translation, introductions and commentary by Robert J. Karris, OFM

Bob Karris, OFM, one of the most preeminent scholars in the world on both Bonaventure and the Gospel of Luke, provides Bonaventure's comments on selections from Luke's Gospel and then provides his own comments and invitation to the reader to meditate, reflect and pray.

3,000 locuciones verbales y combinaciones frecuentes Cover

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3,000 locuciones verbales y combinaciones frecuentes

Adela Robles-Sáez

This extensive Spanish language reference explains the logic behind more than 3,000 frequently used verb phrases and combinations that make Spanish speech sound native. Each entry includes a definition of the phrase including its register, synonyms, antonyms, complementary expressions, grammatical patterns, and examples of how the combinations are used in easy and difficult structures. Most entries also point out other factors to be taken into account, such as whether an expression is to be used in isolation, after explaining a cause, or if it shouldn't be used at the beginning of a sentence. The book presents generative patterns for combinations based on conceptual metaphors and grammar structures, details families of expressions as separate charts, and contains an index by complement.

Featuring a wide range of varieties of Spanish, this volume includes both peninsular and New World Spanish and draws on both written and spoken corpora. Based on sound research in cognitive linguistics and written entirely in Spanish, this valuable reference will be useful to advanced students of Spanish, teachers of Spanish, translators, and writers.

Sample Entry

ABUNDARAbundar en detalles: Ofrecer mucha información. Esta expresión se utiliza en contextos neutros o formales. En forma negativa (no abundar en detalles) se usa para expresar de manera irónica que alguien no quiere ofrecer tanta información como necesitamos.

S: El informe sobre el golpe de estado V: abunda CR: en detalles sobre la intervención de la CIA

El estudio abunda en detalles estadísticos sobre la inmigración, pero no explica ni sus causas ni sus consecuencias.

La testigo reconoció que era amante del acusado, pero no abundó en detalles sobre su relación.

Contraste:Informal: Paquita llegó a casa borracha y con un ojo morado. Explicó a su marido que se había caído y nada más.Formal: La víctima llegó a su casa intoxicada y con señales de abuso físico. Explicó, sin abundar en detalles, que eran resultado de una caída.

Expresiones relacionadas:1. Entrar en detalles (frecuentemente no entrar en detalles): Discutir un tema en profundidad. 'No entrar' significa quedarse fuera, por lo tanto, no entrar en detalles significa no explicar ningún detalle, mientras que no abundar en detalles significa hablar poco sobre un tema.

El estudio abunda en detalles estadísticos sobre la inmigración, pero no explica ni sus causas ni sus consecuencias.

*El estudio entra en detalles estadísticos sobre la inmigración, pero no explica ni sus causas ni sus consecuencias.

Hasta ahora hemos tratado el tema de la absorción de este mineral de manera superficial. Ahora entraremos en detalles.

*Hasta ahora hemos tratado el tema de la absorción de este mineral de manera superficial. Ahora abundaremos en detalles.

The 31st Singapore Lecture Cover

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The 31st Singapore Lecture

Angela Merkel

The Singapore Lecture Series was inaugurated in 1980 by the Institute of Southeast Asian Studies with a founding endowment from the Monetary Authority of Singapore (MAS), and augmented by generous donation in 1983 from Exxon Mobil Asia Pacific. The Singapore Lecture is designed to provide the opportunity for distinguished statesmen, scholars, and writers and other similarly highly qualified individuals specializing in banking and commerce, international economics and finance and philosophical and world strategic affairs to visit Singapore. The presence of such eminent personalities will allow Singaporeans, especially the younger executive and decision-makers in both the public and private sectors, to have the benefit of exposure to — through the Lecture, televised discussions, and private consultations - leaders of thought and knowledge in various fields, thereby enabling them to widen their experience and perspectives. On 2 June 2011, the 31st Singapore Lecture was delivered by Her Excellency Dr Angela Merkel, Chancellor of the Federal Republic of Germany, under the distinguished Chairmanship of Mr Tharman Shanmugaratnam, Deputy Prime Minister and Minister for Finance and Minister for Manpower, Singapore.

3-D Revolution Cover

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3-D Revolution

The History of Modern Stereoscopic Cinema

Ray Zone

In 2009, Avatar, a 3-D movie directed by James Cameron, became the most successful motion picture of all time, a technological breakthrough that has grossed more than $2.5 billion worldwide. Its seamless computer-generated imagery and live action stereo photography effectively defined the importance of 3-D to the future of cinema, as well as all other currently evolving digital displays. Though stereoscopic cinema began in the early nineteenth century and exploded in the 1950s in Hollywood, its present status as an enduring genre was confirmed by Avatar's success.

3-D Revolution: The History of Modern Stereoscopic Cinema traces the rise of modern 3-D technology from Arch Oboler's Bwana Devil (1952), which launched the 50s 3-D boom in Hollywood, to the rapidly-modernizing 3-D industry today. Ray Zone takes a comprehensive approach that not only examines the technology of the films, but also investigates the business, culture, and art of their production. Influencing new generations of filmmakers for decades, the evolution of 3-D cinema technology continues to fill our theaters with summer blockbusters and holiday megahits.

4 Ezra and 2 Baruch Cover

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4 Ezra and 2 Baruch

Translations, Introductions, and Notes

By Michael E. Stone and Matthias Henze

Fresh translations of early Jewish texts 4 Ezra and 2 Baruch, written in the decades after the Judean War, which saw Jerusalem conquered, the temple destroyed, and Judaism changed forever.

This handy volume makes these two important texts accessible to students, provides expert introductions, and illuminates the interrelationship of the texts through parallel columns.

43 Ways to Finance Your Feature Film Cover

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43 Ways to Finance Your Feature Film

A Comprehensive Analysis of Film Finance

John W. Cones

John W. Cones has updated his now classic 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance with a substantially reorganized and expanded third edition.

An essential reference guide for film professionals on every side of film financing, 43 Ways answers the question that every filmmaker and producer ultimately faces, the issue that can make or break any venture into the film industry:  How do I finance my feature film?  The third edition includes updated information and coverage of new options for financing.

In his clear and concise style and with expertise amassed over his nearly twenty years of experience in the film finance industry, Cones breaks financing options down into six main areas:  gifts and grants, investor financing, domestic government subsidies and tax incentive programs, lender financing, international finance options, and studio or industry financing. Beginning with the forms of financing most likely to be accessible to independent feature film producers, Cones proceeds to other forms that become increasingly available as the producer’ s career matures.

As an objective adviser, Cones provides specific, concise information regarding the many possible financing strategies and lists the distinct pros and cons of each strategy.  This guide covers the options for film financing in rich detail so that even first-time producers and filmmakers will be able to make educated and informed decisions about the best approaches to financing their films. An extensive bibliography contains additional information about each form of film finance. Cones also counters much of the bad advice being provided by pseudoprofessional film finance consultants and points out scams that may separate unwary film producers from their money.

Although the book focuses on financing feature films, much of its information is relevant to the financing of other kinds of projects, such as short films, documentaries, videos, and multimedia and theatrical endeavors. Anyone considering making or investing in a feature film will be well served by this practical and helpful guide.

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