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Contributions of an Uncompromising Critic to the Democratic Process in Cameroon
No Trifling Matter is a collection of controversial, critical weekly commentary on the reluctance of a monolithic regime to yield to popular aspirations for democracy in Cameroon. In these essays written between 1990 and November 1992, Godfrey Tangwa, alias Rotcod Gobata, doesnít quibble. He comes across as a man of courage and resolve; one ready to swim upstream in a manner of a desperate midwife eager to prevent a still birth (in this case, of democracy). His column is as daring an embarrassment to Biyaís ìdÈmocratie avancÈeî as the radio programme ìCameroon Reportî (later ìCameroon Callingî), was to Presidents Ahidjo and Biya in the hey days of the ìparti uniqueî. Rotcod Gobata believes the time has come for Cameroon to graduate from a country over milked by mediocrity and callous indifference, to the paradise that it was meant to be for the poor and downtrodden. In this regard, he belongs with that rare breed of intellectuals who are genuine in their pursuit of collective betterment, and who in consequence, have opted to distance themselves from the stomach and all its trappings. This position is to be commended and encouraged, especially in a system where explanation is often mistaken for subversion, a system where the stomach is about the only political path-finder - the sole compass in use, a country where the champions of falsehood want all at their beck and call, and where a handful of thirsting palates daily jostle to share with Count Dracula the blood of the common and forgotten. Rotcod Gobata wants the new Cameroon to be rid of the ills and failures of the past five decades that have made it impossible for Cameroonians in their millions to live productive and creative lives.
Journalism in Democratic Societies
Using Fred S. Siebert, Theodore Peterson, and Wilbur Schramm's classic Four Theories of the Press as their point of departure, the authors consider what the role of journalism ought to be in a democratic society. They examine the philosophical underpinnings and political realities of journalism, thereby identifying four distinct yet overlapping roles for the media: "monitorial," "facilitative," "radical," and "collaborative." Ultimately they show how these competing paradigms can affect the laws, policies, and public attitudes of a liberal society.
Media Lessons from Hurricane Katrina and the Deepwater Horizon Disaster
Along the Gulf Coast, history is often referenced as pre-Katrina or post-Katrina. However, the natural disaster that appalled the world in 2005 has been joined by another catastrophe, this one man-made--the greatest environmental and maritime accident of all time, the Deepwater Horizon Oil Spill. In less than five years, the Gulf Coast has experienced two colossal disasters, very different, yet very similar. And these two equally complex crises have resulted in a steep learning curve for all, but especially the journalists covering these enduring stories.
In Oil and Water, the authors explore the media-fed experiences, the visuals and narratives associated with both disasters. Katrina journalists have reluctantly had to transform into oil spill journalists. The authors look at this process of growth from the viewpoints not only of the journalists, but also of the public and of the scientific community. Through a detailed analysis of the journalists' content, the authors tackle significant questions. This book assesses the quality of journalism and the effects that quality may have on the public. The authors argue that regardless of the type of journalism involved or the immensity of the events covered, successful reportage still depends on the fundamentals of journalism and the importance of following these tenets consistently in a crisis atmosphere, especially when confronted with enduring crises that are just years apart.
Of Books and Bookstores
Jean-Luc Nancy's On the Commerce of Thinking concerns the particular communication of thoughts that takes place by means of the business of writing, producing, and selling books. His reflection is born out of his relation to the bookstore, in the first place his neighborhood one, but beyond that any such perfumery, rotisserie, patisserie,as he calls them, dispensaries of scents and flavors through which something like a fragrance or bouquet of the book is divined, presumed, sensed.On the Commerce of Thinking is thus not only something of a semiology of the specific cultural practice that begins with the unique character of the writer's voice and culminates in a customer crossing the bookstore threshold, package under arm, on the way home to a comfortable chair, but also an understated yet persuasive plea in favor of an endangered species. In evoking the peddler who, in times past, plied the streets with books and pamphlets literally hanging off him, Nancy emphasizes the sensuality of this commerce and reminds us that this form of consumerism is like no other, one that ends in an experience-reading-that is the beginning of a limitless dispersion, metamorphosis, and dissemination of ideas. Making, selling, and buying books has all the elements of the exchange economy that Marx analyzed--from commodification to fetishism--yet each book retains throughout an absolute and unique value, that of its subject. With reading, it gets repeatedly reprinted and rebound. For Nancy, the book thus functions only if it remains at the same time open and shut, like some Moebius strip. Closed, it represents the Idea and takes its place in a canon by means of its monumental form and the title and author's name displayed on its spine. But it also opens itself to us, indeed consents to being shaken to its core, in being read each time anew.
Unnamed Sources and the Battle for Journalism
Matt Carlson confronts the promise and perils of unnamed sources in this exhaustive analysis of controversial episodes in American journalism during the George W. Bush administration, from prewar reporting mistakes at the New York Times and Washington Post to the Valerie Plame leak case and Dan Rather's lawsuit against CBS News._x000B_ _x000B_Weaving a narrative thread that stretches from the uncritical post-9/11 era to the spectacle of the Scooter Libby trial, Carlson examines a tense period in American history through the lens of journalism. Revealing new insights about high-profile cases involving confidential sources, he highlights contextual and structural features of the era, including pressure from the right, scrutiny from new media and citizen journalists, and the struggles of traditional media to survive amid increased competition and decreased resources.
Racial Issues, Press, and Progaganda in the Cold War
The Woman and the Myth
Based on his own extensive personal interviews with the writer, Santo L. Aricò provides the definitive biography of Oriana Fallaci, a popular and flamboyant Italian journalist, war correspondent, and novelist who, in the public imagination, approaches mythical proportions and who, with every work she produces, creates and re-creates that myth.
Newspaper Women and the Making of Modern Public Space
Newspaper women were part of a wave of women seeking new, independent, urban lives, but they struggled to obtain the newspaper work of their dreams. Although some female journalists embraced more adventurous reporting, including stunt work and undercover assignments, many were relegated to the women's page. However, these intrepid female journalists made the women's page their own. Fahs reveals how their writings--including celebrity interviews, witty sketches of urban life, celebrations of being bachelor girls, advice columns, and a campaign in support of suffrage--had far-reaching implications for the creation of new, modern public spaces for American women at the turn of the century. As observers and actors in a new drama of independent urban life, newspaper women used the simultaneously liberating and exploitative nature of their work, Fahs argues, to demonstrate the power of a public voice, both individually and collectively.
Editorial Spokesmen of the Nineteenth Century
Carl R. Osthaus examines the southern contribution to American Press history, from Thomas Ritchie's mastery of sectional politics and the New Orleans Picayune's popular voice and use of local color, to the emergence of progressive New South editors Henry Watterson, Francis Dawson, and Henry Grady, who imitated, as far as possible, the New Journalism of the 1880s. Unlike black and reform editors who spoke for minorities and the poor, the South's mainstream editors of the nineteenth century advanced the interests of the elite and helped create the myth of southern unity.
The southern press diverged from national standards in the years of sectionalism, Civil War, and Reconstruction. Addicted to editorial diatribes rather than to news gathering, these southern editors of the middle period were violent, partisan, and vindictive. They exemplified and defended freedom of the press, but the South's press was free only because southern society was closed.
This work broadens our understanding of journalism of the South, while making a valuable contribution to southern history.