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Oriana Fallaci Cover

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Oriana Fallaci

The Woman and the Myth

Santo L. Aricò 

Based on his own extensive personal interviews with the writer, Santo L. Aricò provides the definitive biography of Oriana Fallaci, a popular and flamboyant Italian journalist, war correspondent, and novelist who, in the public imagination, approaches mythical proportions and who, with every work she produces, creates and re-creates that myth.

Out on Assignment Cover

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Out on Assignment

Newspaper Women and the Making of Modern Public Space

Alice Fahs

Newspaper women were part of a wave of women seeking new, independent, urban lives, but they struggled to obtain the newspaper work of their dreams. Although some female journalists embraced more adventurous reporting, including stunt work and undercover assignments, many were relegated to the women's page. However, these intrepid female journalists made the women's page their own. Fahs reveals how their writings--including celebrity interviews, witty sketches of urban life, celebrations of being bachelor girls, advice columns, and a campaign in support of suffrage--had far-reaching implications for the creation of new, modern public spaces for American women at the turn of the century. As observers and actors in a new drama of independent urban life, newspaper women used the simultaneously liberating and exploitative nature of their work, Fahs argues, to demonstrate the power of a public voice, both individually and collectively.

Paper Machines Cover

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Paper Machines

About Cards & Catalogs, 1548-1929

Markus Krajewski, translated by Peter Krapp

Why the card catalog--a “paper machine” with rearrangeable elements--can be regarded as a precursor of the computer.

Partisans of the Southern Press Cover

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Partisans of the Southern Press

Editorial Spokesmen of the Nineteenth Century

Carl R. Osthaus

Carl R. Osthaus examines the southern contribution to American Press history, from Thomas Ritchie's mastery of sectional politics and the New Orleans Picayune's popular voice and use of local color, to the emergence of progressive New South editors Henry Watterson, Francis Dawson, and Henry Grady, who imitated, as far as possible, the New Journalism of the 1880s. Unlike black and reform editors who spoke for minorities and the poor, the South's mainstream editors of the nineteenth century advanced the interests of the elite and helped create the myth of southern unity.

The southern press diverged from national standards in the years of sectionalism, Civil War, and Reconstruction. Addicted to editorial diatribes rather than to news gathering, these southern editors of the middle period were violent, partisan, and vindictive. They exemplified and defended freedom of the press, but the South's press was free only because southern society was closed.

This work broadens our understanding of journalism of the South, while making a valuable contribution to southern history.

A Path Through Hard Grass Cover

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A Path Through Hard Grass

A Journalist's Memories of Exile and Apartheid

A child of a Jewish family fleeing Nazi-Germany and settling in apartheid South Africa in the 1930s, Ruth Weissí journalistic career starts in Johannesburg of the 1950s. In 1968 banned from her home country, and then also from Rhodesia for her critical investigative journalism, she starts reporting from Lusaka, London and Cologne on virtually all issues which affect the newly independent African countries. Peasants and national leaders in southern Africa ñ Ruth Weiss met them all, travelling through Africa at a time when it was neither usual for a woman to do so, nor to report for economic media as she did. Her writing gained her the friendship of diverse and interesting people. In this book she offers us glimpses into some of her many long-nurtured friendships, with Kenneth Kaunda or Nadine Gordimer and many others. Her life-long quest for tolerance and understanding of different cultures shines through the many personalized stories which her astute eye and pen reveals in this book. As she put it, one never sheds the cultural vest donned at birth, but this should never stop one learning about and accepting other cultures.

Pauline Frederick Reporting Cover

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Pauline Frederick Reporting

A Pioneering Broadcaster Covers the Cold War

Pen and Sword Cover

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Pen and Sword

American War Correspondents, 1898-1975

Mary S. Mander

Addressing the ever-changing, overlapping trajectories of war and journalism, this introduction to the history and culture of modern American war correspondence considers a wealth of original archival material. In powerful analyses of letters, diaries, journals, television news archives, and secondary literature related to the United States' major military conflicts of the twentieth century, Mary S. Mander highlights the intricate relationship of the postmodern nation-state to the free press and to the public._x000B__x000B_Pen and Sword: American War Correspondents, 1898-1975 situates war correspondence within the larger framework of the history of the printing press to make perceptive new points about the nature of journalism and censorship, the institution of the press as a source of organized dissent, and the relationship between the press and the military. Fostering a deeper understanding of the occupational culture of war correspondents who have accompanied soldiers into battle, Pen and Sword prompts new ways of thinking about contemporary military conflicts and the future of journalism.

The Pen Makes a Good Sword Cover

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The Pen Makes a Good Sword

John Forsyth of the Mobile Register

Written by Lonnie A. Burnett

This book is a biography of Alabama native John Forsyth Jr. and documents his career as a southern newspaper editor during the antebellum, Civil War, and Reconstruction periods. From 1837 to 1877 Forsyth wrote about many of the most important events of the 19th century. He used his various positions as an editor, Civil War field correspondent, and Reconstruction critic at the MobileRegister to advocate on behalf of both the South and the Democratic Party.
 
In addition, Forsyth played an active role in the events taking place around him through his political career, as United States Minister to Mexico, state legislator, Confederate Peace Commissioner to the Lincoln administration, staff officer to Braxton Bragg, and twice mayor of the city of Mobile.

 

The Pilgrim and the Bee Cover

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The Pilgrim and the Bee

Reading Rituals and Book Culture in Early New England

By Matthew P. Brown

We conventionally understand the book as a vessel for words, a place where the reader goes to have a private experience with written language. But readers' relationships with books are much more complex. In The Pilgrim and the Bee, Matthew P. Brown examines book culture and the rituals of reading in early New England, ranging across almanacs, commonplace books, wonder tales, funeral elegies, sermon notes, conversion relations, and missionary tracts. What emerges is a new understanding of the book at once as a material good, existing within the economies of buying, selling, giving, and receiving; as an object of reverence and a medium for the performance of reading; and as an organizational system for word, sound, and image.

The product of extensive archival research, The Pilgrim and the Bee brings together the disciplines of book studies and performance theory to reconsider the literary history of early America. Brown focuses on the reader's body, carefully studying reading practices during the first three generations of English settlement, with particular emphasis on the way such practices operated in the social rituals of the Massachusetts Bay Colony. Understanding Puritanism as a style of piety predicated on access to texts, he describes a canon of texts (devotional "steady sellers") that, with the Bible, served as conduct literature for pious readers. These devotional manuals were reprinted and read frequently and helped to shape the social identities of gender, race, class, faith, and age. To Brown, seventeenth-century devotional readers are both pilgrims, treating texts as continuous narratives of redemptive journeying, and bees, treating texts as flowers or hives, as spatial objects where information is extracted and deposited discontinuously.

The Piracy Crusade Cover

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The Piracy Crusade

How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties

Aram Sinnreich

In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that “internet pirates killed the music industry” has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working artists, we are told, a “cybercrime” similar to identity fraud or even terrorism. In The Piracy Crusade, Aram Sinnreich critiques the notion of “piracy” as a myth perpetuated by today’s cultural cartels—the handful of companies that dominate the film, software, and especially music industries. As digital networks have permeated our social environment, they have offered vast numbers of people the opportunity to experiment with innovative cultural and entrepreneurial ideas predicated on the belief that information should be shared widely. This has left the media cartels, whose power has historically resided in their ability to restrict the flow of cultural information, with difficult choices: adapt to this new environment, fight the changes tooth and nail, or accept obsolescence. Their decision to fight has resulted in ever stronger copyright laws and the aggressive pursuit of accused infringers. Yet the most dangerous legacy of this “piracy crusade” is not the damage inflicted on promising start-ups or on well-intentioned civilians caught in the crosshairs of file-sharing litigation. Far more troubling, Sinnreich argues, are the broader implications of copyright laws and global treaties that sacrifice free speech and privacy in the name of combating the phantom of piracy—policies that threaten to undermine the foundations of democratic society.

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