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- symploke
- University of Nebraska Press
- issue
- Volume 12, Numbers 1-2, 2004
- Notes on Contributors
- Fiction's Present: Brief Notes
- Later Derrida: Reading the Recent Work (review)
- Cybering Democracy: Public Space and the Internet (review)
- Hysterical Men: War, Psychiatry, and the Politics of Trauma in Germany, 1890-1930 (review)
- Dissent from the Homeland: Essays After September 11 (review)
- Dark Vanishings: Discourse on the Extinction of Primitive Races, 1800-1930 (review)
- The Exhaustion of Difference: The Politics of Latin American Cultural Studies (review)
- Disciplining English: Alternative Histories, Critical Perspectives (review)
- Acts of Narrative (review)
- Theory Matters (review)
- Cognitive Fictions (review)
- Am I a Snob?: Modernism and the Novel (review)
- Iraq: The Borrowed Kettle (review)
- Rites of Realism: Essays on Corporeal Cinema (review)
- Clear Word and Third Sight: Folk Groundings and Diasporic Consciousness in African Caribbean Writing (review)
- The Future of Art: An Aesthetics of the New and the Sublime (review)
- Tortilleras: Hispanic and U.S. Latina Lesbian Expression (review)
- The Copywrights: Intellectual Property and the Literary Imagination (review)
- Fat Boys: A Slim Book (review)
- The Cambridge Companion to Lacan (review)
- Modernism and Melancholia
- Modernism, Deconstruction, Derrida: New Reference Tools
- Notes on a "Classic"
- After-Whiteness Studies
- Precarious Politics
- The Double-Edged Sword of Affiliation: Progressive Alliance or Disciplinary Bondage
- Foucault as Educator: The Question of Technology and Learning How to Read Differently
- Serious Play: Derrida and Whitman in the Theory Classroom
- Postmodern Theory of Technology: Agendas
- Interdisciplinarity
- World Book
- In Their Own Words: The Collective Presents Itself
- Henry Miller to Henry James
- Critical Reflections on the Pathetic Condition of the Novel in Our Time
- A Modality
- Recognition as a Depleted Source in Lynne Tillman's Motion Sickness
- Mount Rushmore: Four Brief Essays on Fictions
- Notes Toward the Musicality of Creative Disjunction, Or: Fiction by Collage
- James, Cather, Vollmann, and the Distinction of Historical Fiction
- Notes on Fiction and Philosophy
- The Self-Deceiving Muse: Fiction and the Rationalistic Dictates of the Present
- Toward the Edge of the Hermetic: Notes on Raising Fiction from the Dead
- Post-Postmodern Discontent: Contemporary Fiction and the Social World
- Fiction's Present without Basis
- To Have Done with Postmodernism: A Plea (Or Provocation) For Globalization Studies
- 12 Theses on Fiction's Present
- Editor's Note
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