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- Digital Price: $5.00 USD (All sales final)
- CR: The New Centennial Review
- Michigan State University Press
- Article
- "I Can't See": Sovereignty, Oblique Vision, and the Outlaw in Hawks's Scarface Volume 4, Number 1, Spring 2004, pp. 211-226
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $25.00 USD.
This issue contains 13 articles in total
- Contributors
- Editors' Note
- Dolce Stil Novo: Harmony Korine's Vernacular
- On the Betrayal of Nations: Jose Alvarez de Toledo's Philadelphia Manifesto (1811) and Justification (1816)
- The Haunted House of Kinship: Miscegenation, Homosexuality, and Faulkner's Absalom, Absalom!
- "I Can't See": Sovereignty, Oblique Vision, and the Outlaw in Hawks's Scarface
- Borrowing Power: Racial Metaphors and Pseudo-Indian Mascots
- Rereading Borges's "The Aleph": On the Name of a Place, a Word, and a Letter
- On the Butcher Block: A Panorama of Social Marking
- A Pain in the Neck, a Scene of "Incest," and Other Enigmas of an Allegorical Cinema: Tsai Ming-liang's The River
- "What Is Represented Is What Is at Stake": Frederic Brenner on jews/america/a representation
- Globalicities: Terror and Its Consequences
- From the Pinkertons to the PATRIOT Act: The Trajectory of Political Policing in the United States, 1870 to the Present
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