Articles | Page |
Barnes, Jennifer. “Posterity is dispossessed”: Laurence Olivier’s Macbeth Manuscripts in 1958 and 2012. | 263 |
Conkie, Rob. Rehearsal: The Pleasures of the Flesh. | 411 |
Dessen, Alan. A 2011 Gallimaufry of Plays: Shakespeare, Heywood, Marlow, and Massinger. | 37 |
Dessen, Alan. Revisiting the Script: Shakespeare on Stage in 2012. | 657 |
Escolme, Bridget. Shakespeare, Rehearsal, and the Site-Specific. | 505 |
Falocco, Joe. “‘This is too long’: A Historically-Based Argument for Aggressively Editing Shakespeare in Performance.” | 119 |
Geddes, Louise. “Know that I, Ringo the drummer, am”: Shakespeare, YouTube, and the Limits of Performance | 299 |
Lenhardt, Allison K. The American Shakespeare Center’s Actors’ Renaissance Season: Appropriating Early Modern Performance Documents and Practices. | 449 |
Rawlins, Trevor. ‘Disciplined improvisation’ in the Rehearsal and Performance of Shakespeare: The Alternative Approach of Mike Alfreds. | 431 |
Rogers, Jami. The “Fascism and Its Consequences” season: Richard Eyre’s “Richard III” and its historical moment. | 99 |
Rowe, Katherine. Sampling the Media Habits of a Shakespeare Company: Testnig a Software Prototype in Rehearsal. | 523 |
Schoch, Richard. The Grimaldi Shakespere. 1 Shurgot, Michael W. Breaking the Sound Barrier: Howie Seago and American Sign Language at Oregon Shakespeare Festival. | 17 |
Sokolov, Boika. New Recruits to the “Maverick” Squad: Othello, King Lear, and The Merchant of Venice in London, 2008/09. | 87 |
Tunstall, Darren. Shakespeare and the Lecoq Tradition. | 469 |
Urkowitz, Steven. Did Shakespeare’s company cut long plays down to two hours playing time? [End Page 675] | 239 |
Film Review | |
Coriolanus dir. Ralph Fiennes for The Weinstein Company Review by Samuel Crowl | 145 |
Theatre Reviews | |
A Woman Killed with Kindness National Theatre | 212 |
Review by José A. Pérez Díez |
Antony and Cleopatra Georgia Shakespeare | 165 |
Review by N. R. Helms |
As You Like It Shakespeare’s Globe | 63 |
Review by Tom Ue |
As You Like It Seattle Shakespeare Company | 365 |
Review by Michael W. Shurgot |
Bartholomew Fair Stratford Shakespeare Festival | 53 |
Review by Peter Hyland |
The Blind Beggar of Alexandria American Shakespeare Center | 52 |
Review by Paul Menzer |
The Blind Beggar of Alexandria American Shakespeare Center | 79 |
Review by Michael J. Hirrel |
The City Madam The Royal Shakespeare Company | 221 |
Review by Laura Grace Godwin |
Coriolanus Seattle Shakespeare Company | 365 |
Review by Michael W. Shurgot |
The Comedy of Errors A Noise Within | 176 |
Review by John Miller |
The Comedy of Errors The Royal Shakespeare Company | 587 |
Review by Coen Heijes |
Cymbeline Kneehigh Theatre | 56 |
Review by Peter Kirwan |
Cymbeline Orlando Shakespeare Theater | 347 |
Review by John King |
Desdemona Cal Performances | 362 |
Review by Katherine Steele Brokaw |
Doctor Faustus Little Goblin Productions | 218 |
Review by Kirk Melnikoff |
Doctor Faustus Shakespeare’s Globe | 221 |
Review by Laura Grace Godwin |
Double Falsehood Atlanta Shakespeare Company | 205 |
Review by Jennifer Hartshorn [End Page 676] |
The Duchess of Malfi The Old Vic | 653 |
Review by José A. Pérez Díez |
Hamlet, see also: Tiny Ninja Hamlet Tiny Ninja Theatre Company | 61 |
Review by Todd Borlik |
Hamlet Royal Shakespeare Company | 64 |
Review by Noel Sloboda |
Hamlet Teatteri Jurkka | 65 |
Review by Nely Keinänen |
Hamlet Shakespeare’s Globe | 66 |
Review by Karley Adney |
Hamlet Oregon Shakespeare Festival | 72 |
Review by Carla Della Gatta |
Hamlet Sandra-Feinstein Gamm Theater | 344 |
Review by Amy Rodgers |
Hamlet, Prince of Darkness Zombie Joe’s Underground Theatre Group | 207 |
Review by Kevin J. Wetmore, Jr. |
Hamlet . . . The rest is silence Synetic Theater | 57 |
Review by Justin B. Hopkins |
Henry IV, Part One Shakespeare Theatre of New Jersey | 626 |
Review by Barbara Ann Lukacs |
Henry the Fifth (Female Cast) Nebraska Wesleyan University | 619 |
Review by Darlene Farabee |
Henry the Fifth (Traditional Cast) Nebraska Wesleyan University | 618 |
Review by Darlene Farabee |
Henry VIII Folger Theatre | 79 |
Review by Michael J. Hirrel |
The Histories Royal Shakespeare Company | 51 |
Review by Justin B. Hopkins |
The Histories Royal Shakespeare Company | 80 |
Review by Coen Heijes |
The History of Cardenio Indiana University School of Liberal Arts | 649 |
and IUPUI and Hoosier Bard Productions |
Review by Regina Buccola |
Julius Caesar The Royal Shakespeare Company | 641 |
Review by Fionnuala O’Neill |
King John The Steam Industry at the Union Theatre | 555 |
Review by Kevin A. Quarmby |
King Lear Royal Shakespeare Company | 59 |
Review by Nick Moschovakis |
King Lear The Shakespeare Theatre | 71 |
Review... |