Little Hans’s Little Sister

In an important sense, Freud’s metapsychology is built on the back of animal phobias, which he repeatedly trots out whenever he needs to substantiate his theories of the castration complex, anxiety, and even the foundational Oedipal complex.¹ From a feminist perspective, it is fascinating that behind the animal phobias that define Freud’s work—Little Hans’s horse, the Rat Man, the Wolf Man—there are consistently fantasies of matricide, self-birth, and womb envy. Perhaps more significantly, there are sisters who both torment and titillate their brothers and thereby contribute to the onset of their phobias. Freud relegates to the background these terrible sisters and their abjected mothers to put the father at the center of animal phobia. In this essay, I will explore the mothers and sisters effaced by the father-animal and the ways in which they “bite back” in Freud’s own analysis of animal phobias.

Eat or Be Eaten

In the major cases of animal phobia that Freud analyzes and repeatedly invokes throughout his writings, from the “Analysis of Phobia in a Five-Year-Old Boy” (1909a) on, he identifies the threat posed by the animal with the father’s castration threats; the boy-child’s fear of being bitten by the animal in question is interpreted as a fear of castration. For example, in his analysis of Little Hans (the Five Year-Old Boy), Hans is afraid that a horse will bite him. Freud interprets his horse phobia as the substitution of the horse for his father, from whom he fears castration as punishment for his desires for his mother. Hans has ambivalent feelings toward his father, whom he both loves and fears, and “solves” the problem by splitting his father into the good father and the bad father, the latter represented by the horse. The Rat Man and the Wolf Man both get their names from the animals that they fear will bite or devour them.

The Rat Man is named for his famous story of an “Eastern” punishment whereby rats used their teeth to bore into the anus of the victim (Freud 1909b, 166). It doesn’t take long for Freud to discover that one of the imagined victims of this punishment is the patient’s father. The rest of the analysis turns around the patient’s relationship with his father, his father’s disapproval of his sexual relations, and the patient’s imagined punishment associated with sex. The Rat Man’s phobic fantasies involve being devoured by rats, or his father being devoured by rats as a sort of punishment levied for his father’s cruelty and the patient’s own sexual indiscretions. Later in his analysis, Freud links the rat phobia to anal eroticism associated with the patient’s childhood being plagued by worms. The rats come to represent many things, including money, disease, the penis, and children. The association between rats and children involves, among other things, the fact that as a child, the patient liked to bite people.

The Wolf Man is also afraid of being devoured by animals. Although the fear of being devoured or bitten by wolves is central to Freud’s analysis, the patient reports other animal phobias—butterflies, caterpillars, swine—some involving similar fears. In the case of the Wolf Man, Freud interprets the dreaded wolf as a father substitute that threatens to devour the patient as he had seen a wolf devour seven little goats in a fairy-tale book that his sister used to torment him with as a child: “Whenever he caught sight of this picture [of a wolf] he began to scream like a lunatic that he was afraid of the wolf coming and eating him up. His sister, however, always succeeded in arranging so that he was obliged to see this picture, and was delighted at his terror” (Freud 1918, 16). Freud surmised that in the cases of the Wolf Man and of Little Hans, their fathers used to pretend to want to gobble them up (Freud 1925, 104). He likens this to another case of a young American whose father read him stories about

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