+ MUSE Alert

In this Issue

Table of Contents

  1. Freedom, from Romance to the Novel: Three Anti-Utopian American Critics.
  2. Thomas G. Pavel
  3. pp. 579-598
  4. DOI: https://doi.org/10.1353/nlh.1998.0045
  5. restricted access
    • View HTML View
    • Get Access
  1. Sideshadowing and Tempics.
  2. Gary Saul Morson
  3. pp. 599-624
  4. DOI: https://doi.org/10.1353/nlh.1998.0043
  5. restricted access
    • View HTML View
    • Get Access
  1. Victims-in-Waiting: Backshadowing and the Representation of European Jewry
  2. Michael André Bernstein
  3. pp. 625-651
  4. DOI: https://doi.org/10.1353/nlh.1998.0033
  5. restricted access
    • View HTML View
    • Get Access
  1. Pushkin, Literary Criticism, and Creativity in Closed Places
  2. Caryl Emerson
  3. pp. 653-672
  4. DOI: https://doi.org/10.1353/nlh.1998.0040
  5. restricted access
    • View HTML View
    • Get Access
  1. Contingency and Freedom, Prosaics and Process.
  2. Gary Saul Morson
  3. pp. 673-686
  4. DOI: https://doi.org/10.1353/nlh.1998.0044
  5. restricted access
    • View HTML View
    • Get Access
  1. Keeping the Conversation Going: Prosaics and Literary Theory
  2. Michael André Bernstein
  3. pp. 687-690
  4. DOI: https://doi.org/10.1353/nlh.1998.0034
  5. restricted access
    • View HTML View
    • Get Access
  1. Response to Thomas Pavel, "Freedom, from Romance to the Novel: Three Anti-Utopian American Critics."
  2. Caryl Emerson
  3. pp. 691-696
  4. DOI: https://doi.org/10.1353/nlh.1998.0041
  5. restricted access
    • View HTML View
    • Get Access
  1. Concluding Statement.
  2. Thomas G. Pavel
  3. pp. 697-698
  4. DOI: https://doi.org/10.1353/nlh.1998.0046
  5. restricted access
    • View HTML View
    • Get Access
  1. Landscapes of Terror, Dreams, and Loneliness: Explorations in Art, Ethnography, and Friendship.
  2. Lydia Nakashima Degarrod
  3. pp. 699-726
  4. DOI: https://doi.org/10.1353/nlh.1998.0037
  5. restricted access
    • View HTML View
    • Get Access
  1. Cinecriture: Modernism's Flicker Effect
  2. Garrett Stewart
  3. pp. 727-768
  4. DOI: https://doi.org/10.1353/nlh.1998.0048
  5. restricted access
    • View HTML View
    • Get Access
  1. Poet versus Abstract Noun: An Agon
  2. Laurence Lerner
  3. pp. 769-784
  4. DOI: https://doi.org/10.1353/nlh.1998.0038
  5. restricted access
    • View HTML View
    • Get Access
  1. Possible Worlds of Fiction and History
  2. Lubomir Dolezel
  3. pp. 785-809
  4. DOI: https://doi.org/10.1353/nlh.1998.0039
  5. restricted access
    • View HTML View
    • Get Access
  1. Truth Without Scare Quotes: Post-Sokalian Genre Theory.
  2. Marie-Laure Ryan
  3. pp. 811-830
  4. DOI: https://doi.org/10.1353/nlh.1998.0047
  5. restricted access
    • View HTML View
    • Get Access
  1. Intentionalism in Aesthetics.
  2. Paisley Livingston
  3. pp. 831-846
  4. DOI: https://doi.org/10.1353/nlh.1998.0042
  5. restricted access
    • View HTML View
    • Get Access
  1. Contributors
  3. pp. 847-848
  4. DOI: https://doi.org/10.1353/nlh.1998.0036
  5. restricted access
    • View HTML View
    • Get Access
  1. Books Received
  3. pp. 849-852
  4. DOI: https://doi.org/10.1353/nlh.1998.0035
  5. restricted access
    • View HTML View
    • Get Access