Contributors

Contributors MARTIN BANHAM is Professor of Drama and Theatre Studies and Director of the Workshop Theatre in the University of Leeds. He is editor of The Cambridge Guide to World Theatre for which he was awarded the 1988 Barnard Hewitt Award in Theatre History of the University of Illinois and the American Society for Theatre Research. RICHARD BOON is Lecturer in Theatre Studies at the University of Leeds. He is currently completing the first full-length study of the plays of Howard Brenton, which will be published in 1990 by Methuen London .Ltd. JEANNE COLLERAN is Assistant Professor of English at John Carroll University. Ohio, HALJNA FILIPOWICZ is Associate Professor of Slavic Languages and Literatures at the University of Wisconsin-Madison. She has pubHsbed in The Drama Review, Modern Drama, Shakespeare Quarterly, Theatre Journal, Theatre Quarterly, Themes in Drama, and Slavic and East European Journal. Her book, A Laboratory of Impure Forms: The Plays oJTadeusz Rozewicz, is forthcoming from Greenwood Press. She is currently working on a book on the uprisings of 1830 and 1863 in nineteenth~ and twenLieth-century Polish drama. MARKETA GOETZ-STANKIEWICZ teaches in the Department of Gennanic Studies, University of British Columbia. VERA GOTTLIEB lectures in the Department of Drama, Goldsmith's College, University of London. D.E.S. MAXWELL is Professor of English at York University. Toronto. He is the author of A Critical History ofModem Irish Drama 1891 - 1980 (Cambridge, 1984). 154 Contributors MICHAEL PATTERSON is Reader in Theatre Studies at the University of Ulster, a post he took up recently after teaching for twelve years in the Workshop Theatre at the University of Leeds. In addition to writing on Gennan theatre (German Theatre Today, The Revolution in German Theatre 1900 - 1933. Peter Stein) he has penonned and directed across Europe. His next book, due to appear in mid-1990, The First German Theatre. will present an analysis of Schiller, Goethe, Kleist, and BOchner in perfonnance. LIONEL PILKINGTON completed his undergraduate studies in Ireland, and his Ph.D. at the Graduate Drama Centre, University ofToronto. He is ClJrrently Lecturer in the Faculty of Cultural Studies, Sheffield City Polytechnic. PATRICIA ANNE SIMPSON is an Assistant Professor in the German department at the University of Michigan, Ann Arbor. She has worked as a dramaturg and published on the relationship between culture and politics in the GDR. Currently she is working on a collection of essays on German drama. ROBERT SKLOOT is Professor and Director of Theatre at the University of WisconsinMadison . His most recent book is The Darkness We Carry: The Drama ofthe Holocaust (1988). ROBERT WILCHER is Lecturer in English at the University of Birmingham. He is author of Andrew Marvell and editor of Andrew Marvell: Selected Poetry and Prose. He has published various articles on seventeenth-century poetry, Shakespeare, and modern drama and has contributed a chapter on the radio pJays to Beckett's Later Fiction and Drama: Textsior Company. JOY LYNN WING is an Assistant Professor of Performing Arts and English at Colby College in WaterviJJe, Maine, where she directs and teaches courses on acting and on contemporary American and European Drama. Her work on Fa appears in The Semiotic Bridge, ed. I. Rauch and G. Carr (1989). She is presently investigating textual subversion in the plays ofCaryl Churchill. ...