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In this Issue

Table of Contents

  1. German Theater Between the Wars
  2. J. M. Ritchie
  3. pp. 363-374
  4. restricted access
  1. Paul Vincent Carroll—: Since The White Steed
  2. Drew B. Pallette
  3. pp. 375-381
  4. restricted access
  1. From Naturalism to the Dream Play: A Study of the Evolution of Strindberg's Unique Theatrical Form
  2. Alice N. Benston
  3. pp. 382-398
  4. restricted access
  1. Arthur Adamov and Invaded Man
  2. Richard E. Sherrell
  3. pp. 399-404
  4. DOI: https://doi.org/10.1353/mdr.1964.0004
  5. restricted access
  1. Peddler and Pioneer in Death of a Salesman
  2. Barry Edward Gross
  3. pp. 405-410
  4. DOI: https://doi.org/10.1353/mdr.1964.0015
  5. restricted access
  1. Body and Soul on Broadway
  2. Malcolm Goldstein
  3. pp. 411-421
  4. DOI: https://doi.org/10.1353/mdr.1964.0026
  5. restricted access
  1. The Significance of Andre Gide's Oedipus
  2. E. San Juan Jr.
  3. pp. 422-430
  4. DOI: https://doi.org/10.1353/mdr.1964.0037
  5. restricted access
  1. The Plays of D. H. Lawrence: Addenda
  2. Harry E. Mahnken
  3. pp. 431-432
  4. DOI: https://doi.org/10.1353/mdr.1964.0047
  5. restricted access
  1. The Image of Youth in the Contemporary Theater
  2. Marjorie Thompson
  3. pp. 433-445
  4. DOI: https://doi.org/10.1353/mdr.1964.0056
  5. restricted access
  1. The Critic as Playwright: A Study Of Stark Young's The Saint
  2. John J. Sommers
  3. pp. 446-453
  4. DOI: https://doi.org/10.1353/mdr.1964.0065
  5. restricted access
  1. The Debasement of the Intellectual in Contemporary Continental Drama
  2. Reinhard Kuhn
  3. pp. 454-462
  4. DOI: https://doi.org/10.1353/mdr.1964.0010
  5. restricted access
  1. Douglas Hyde's "Share" in The Unicorn from the Stars
  2. Vivian Mercier
  3. pp. 463-465
  4. DOI: https://doi.org/10.1353/mdr.1964.0021
  5. restricted access
  1. Henrik Ibsen by G. Wilson Knight (review)
  2. Irving Deer
  3. pp. 466-467
  4. DOI: https://doi.org/10.1353/mdr.1964.0032
  5. restricted access
  1. Das Moderne Englische Drama by Horst Oppel (review)
  2. Claude Hill
  3. pp. 467-468
  4. DOI: https://doi.org/10.1353/mdr.1964.0042
  5. restricted access
  1. Peer Gynt by Henrik Ibsen (review)
  2. John H. Kelson
  3. pp. 468-469
  4. DOI: https://doi.org/10.1353/mdr.1964.0052
  5. restricted access
  1. Complete Plays and Prose by Georg Büchner (review)
  2. Michael Scherer
  3. pp. 469-470
  4. DOI: https://doi.org/10.1353/mdr.1964.0061
  5. restricted access
  1. A Digest of 500 Plays: Plot Outlines and Production Notes by Theodore J. Shank (review)
  2. Walter J. Meserve
  3. pp. 470-471
  4. DOI: https://doi.org/10.1353/mdr.1964.0006
  5. restricted access
  1. Minority Report by Elmer Rice (review)
  2. Michael J. Mendelsohn
  3. pp. 471-472
  4. DOI: https://doi.org/10.1353/mdr.1964.0017
  5. restricted access
  1. Michael Chekhov's to the Director and Playwright by Charles Leonard (review)
  2. Robert Shedd
  3. p. 472
  4. DOI: https://doi.org/10.1353/mdr.1964.0028
  5. restricted access
  1. The Contributors
  3. p. iv
  4. DOI: https://doi.org/10.1353/mdr.1964.0068
  5. restricted access