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Table of Contents

  1. Grotowski's Akropolis: A Retrospective View
  2. Robert Findlay
  3. pp. 1-20
  4. DOI: https://doi.org/10.1353/mdr.1984.0006
  5. restricted access
  1. Contexts for Vatzlav: Mrożek and the Eighteenth Century
  2. Daniel Gerould
  3. pp. 21-40
  4. DOI: https://doi.org/10.1353/mdr.1984.0008
  5. restricted access
  1. Feasts in Time of the Plague: Polish Theatre and Drama, Post-Solidarity
  2. E.J. Czerwinski
  3. pp. 41-54
  4. DOI: https://doi.org/10.1353/mdr.1984.0010
  5. restricted access
  1. Censorship
  2. Janusz Głowacki, Jadwiga Kosicka
  3. pp. 55-58
  4. DOI: https://doi.org/10.1353/mdr.1984.0000
  5. restricted access
  1. Marek Nowakowski: Everyday Life under Communism
  2. Antoni Libera
  3. pp. 59-63
  4. DOI: https://doi.org/10.1353/mdr.1984.0002
  5. restricted access
  1. The Pragmatics of Dialogue in the Theatre of St.I. Witkiewicz
  2. Wladimir Krysinski
  3. pp. 64-79
  4. DOI: https://doi.org/10.1353/mdr.1984.0003
  5. restricted access
  1. On Dramaturgic Agents and Krleža's Agential Structure: The Types as a Key Level
  2. Darko Suvin
  3. pp. 80-97
  4. DOI: https://doi.org/10.1353/mdr.1984.0005
  5. restricted access
  1. High Points of Theatre in the First Czechoslovak Republic
  2. Jarka M. Burian
  3. pp. 98-111
  4. DOI: https://doi.org/10.1353/mdr.1984.0007
  5. restricted access
  1. Ethics at the Crossroads: The Czech "Dissident Writer" as Dramatic Character
  2. Marketa Goetz-Stankiewicz
  3. pp. 112-123
  4. DOI: https://doi.org/10.1353/mdr.1984.0009
  5. restricted access
  1. Václav Havel's Second Wind
  2. M.C. Bradbrook
  3. pp. 124-132
  4. DOI: https://doi.org/10.1353/mdr.1984.0001
  5. restricted access
  1. A Little Country's Little Alphabet of Modern Man's Biggest Problems
  2. Marketa Goetz-Stankiewicz
  3. pp. 133-137
  4. DOI: https://doi.org/10.1353/mdr.1984.0004
  5. restricted access
  1. Eugene O'Neill by Normand Berlin (review)
  2. Michael Manheim
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/mdr.1984.0044
  5. restricted access
  1. Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter by Kristin Morrison (review)
  2. Bernard F. Dukore
  3. pp. 142-144
  4. DOI: https://doi.org/10.1353/mdr.1984.0051
  5. restricted access
  1. Tom Stoppard's Plays by Jim Hunter (review)
  2. C.J. Gianakaris
  3. pp. 144-145
  4. DOI: https://doi.org/10.1353/mdr.1984.0014
  5. restricted access
  1. Understudies: Theatre and Sexual Politics by Michelene Wandor (review)
  2. Elin Diamond
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/mdr.1984.0021
  5. restricted access
  1. Contemporary Drama and the Popular Dramatic Tradition in England by Peter Davison (review)
  2. John Harrop
  3. pp. 148-149
  4. DOI: https://doi.org/10.1353/mdr.1984.0028
  5. restricted access
  1. Paul Claudel by Bettina L. Knapp (review)
  2. Moses M. Nagy
  3. pp. 149-151
  4. DOI: https://doi.org/10.1353/mdr.1984.0034
  5. restricted access
  1. The Work: Conversations with English-Canadian Playwrights ed. by Robert Wallace and Cynthia Zimmerman (review)
  2. Urjo Kareda
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/mdr.1984.0041
  5. restricted access
  1. Chekhov and the Vaudeville: A Study of Chekhov's One-Act Plays by Vera Gottlieb (review)
  2. Irina Kirk
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/mdr.1984.0048
  5. restricted access
  1. A Critical Introduction to Twentieth-Century American Drama: Volume One, 1900-1940 by C.W.E. Bigsby (review)
  2. Thomas P. Adler
  3. pp. 138-139
  4. DOI: https://doi.org/10.1353/mdr.1984.0037
  5. restricted access
  1. Contributors
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/mdr.1984.0011
  5. restricted access