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Journal of the History of Philosophy 41.4 (2003) 571-572



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Simon Critchley and Robert Bernasconi, editors. The Cambridge Companion to Levinas. New York: Cambridge University Press, 2002. Pp. xxx + 292. Cloth, $65.00. Paper, $23.00.

The goal of the Cambridge Companion to Philosophy series has been to "dispel the intimidation" that students and non-specialists often experience when faced with the works of a "difficult and challenging thinker" (i). Indeed, Emmanuel Levinas would qualify as such a thinker, whose work is firmly rooted in two traditions: (1) the admittedly abstruse and seminal phenomenologies of Edmund Husserl and Martin Heidegger and (2) Judaism, including the Talmudic tradition, the philosophy of Franz Rosenzweig, as well as Levinas's experience with rampant anti-Semitism in twentieth-century Europe. The imminent danger in producing a collection with the express intent of making a challenging thinker accessible is that the force of the thought may become undermined by the process of simplification. The Cambridge Companion to Levinas, however, achieves its goal as a book that not only elucidates Levinas but also provides numerous essays that even the Levinasian scholar will find useful.

Simon Critchley and Robert Bernasconi are directly responsible for the success of the Companion. These two editors have proven themselves as adept collaborators in the area of Levinasian philosophy with their earlier contribution to Indiana University Press's series Studies in Continental Thought: Re-reading Levinas (Simon Critchley and Robert Bernasconi, editors [Bloomington: Indiana University Press, 1991]). This new cooperative effort offers essays that introduce Levinas's thought from the perspective of some of the many fields upon which he has had an influence including the philosophy of language, art, feminism, Judaism, phenomenology, and the philosophy of religion.

Even with the many tangential fields to which Levinas's thought contributes, the Companion often refers to Derrida's metaphor which describes Levinas's work as a wave, the "same" wave, crashing on the beach with increasing demand. Derrida, however, is also partly responsible for the intensifying return of Levinas's work. Derrida's critique of Levinas's Totality and Infinity was the impetus behind Levinas's subsequent focus on language and the problematic of "how" one speaks of that which is outside being. Certainly, the Companion could have spent the majority of its pages outlining this philosophical, textual conversation, but such an explication would have compromised the accessibility of this introductory text to the non-specialists to whom this series caters. The editors, instead, chose to avoid Derrida's difficult critique while having a significant concentration of essays that deal with Levinas's philosophy of language. This allows neophyte students of Levinas to discover his intricate thought on language without necessary knowledge of the context as well as provide those scholars interested in the debate access to the most contemporary thought on the matter—at least from the Levinasian perspective. Readers are assured, then, that the Companion covers the difficult concepts of the speaking face from the early period to the later distinction of the "saying" and the "said," inspired by Derrida's critique.

The Companion, unfortunately, seems one sided concerning an important aspect of Levinas's philosophy. Throughout his entire corpus, Levinas attributes his thought to the seminal work of Edmund Husserl, continually inviting his readers to begin again with Husserl's phenomenology. Rudolph Bernet contributes to this collection an outstanding analysis of Levinas's critique of Husserl, describing some of the departures that Levinas makes from Husserl's phenomenology. The rest of the Companion, however, makes note to downplay Levinas's positive indebtedness to phenomenology. Hillary Putnam promises to explain Levinas with a "minimum of reliance on any prior knowledge of the two great 'H's (Husserl/Heidegger)" (40). Adhering to her word, in an otherwise insightful essay, means that the phenomenological issue remains superficial. While it is never absent, Bernet's essay seems to have set the tone, placing Levinas in a position of opposition with Husserl with a minimum of discussion of what Levinas has called his adherence to the "spirit" of phenomenology. To the Companion's credit...

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