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In this Issue

Table of Contents

  1. The Pleasures and Perils of Big Data in Digitized Newspapers
  2. Richard Abel
  3. pp. 1-10
  4. restricted access
  1. Senses of Success and the Rise of the Blockbuster
  2. Charles R. Acland
  3. pp. 11-18
  4. restricted access
  1. Where Is National Cinema Today (and Do We Still Need It)?
  2. Ian Christie
  3. pp. 19-30
  4. restricted access
  1. McCay and Keaton: Colligating, Conjecturing, and Conjuring
  2. Donald Crafton
  3. pp. 31-44
  4. restricted access
  1. Science Lessons
  2. Scott Curtis
  3. pp. 45-54
  4. restricted access
  1. Invisible by Design: Reclaiming Art Nouveau for the Cinema
  2. Lucy Fischer
  3. pp. 55-69
  4. restricted access
  1. What Happened to the Philosophy of Film History?
  2. Jane M. Gaines
  3. pp. 70-80
  4. restricted access
  1. The Untrammeled Camera: A Topos of the Expedition Film
  2. Alison Griffiths
  3. pp. 95-109
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  1. German Cinema as European Cinema: Learning from Film History
  2. Sabine Hake
  3. pp. 110-117
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  1. Pathé versus Pathé, Exhibit A: Reading an Archival Document
  2. Frank Kessler
  3. pp. 118-129
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  1. VD Propaganda, Dr. Ehrlich's Magic Bullet, and the Production Code
  2. Annette Kuhn
  3. pp. 130-137
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  1. The Standard Exhibition Contract and the Unwritten History of the Classical Hollywood Cinema
  2. Richard Maltby
  3. pp. 138-153
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  1. Conversions and Convergences: Sarah Bernhardt in the Era of Technological Reproducibility, 1910-1913
  2. Charles Musser
  3. pp. 154-174
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  1. The Creation and Construction of Asian Cinema Redux
  2. Abé Mark Nornes
  3. pp. 175-187
  4. restricted access
  1. Screen Bodies and Busybodies: Corporeal Constellations in the Era of Anonymity
  2. Jan Olsson
  3. pp. 188-204
  4. restricted access
  1. "Because I Am a Woman": Thinking Identity and Agency for Historiography
  2. Janet Staiger
  3. pp. 205-214
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  1. "Pix Biz Spurts with War Fever": Film and the Public Sphere—Cycles and Topicality
  2. Peter Stanfield
  3. pp. 215-226
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  1. Moving Image History and the F-Word; or, "Digital Film" Is an Oxymoron
  2. Dan Streible
  3. pp. 227-235
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  1. Protocols of Portability
  2. Haidee Wasson
  3. pp. 236-247
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  1. Introduction
  2. Gregory A. Waller
  3. pp. vii-ix
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  1. Titles, Subtitles, and Intertitles: Factors of Autonomy, Factors of Concatenation
  2. André Gaudreault, Timothy Barnard
  3. pp. 81-94
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  1. Contributors
  3. pp. 248-251
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