In this Issue
Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.
Each issue is beautifully illustrated and contains a wide range of articles on performance practice, iconography, sources, instruments and many other aspects of the historical context for a given work or repertory. Some issues are dedicated to a particular theme to mark the anniversary of a composer or to explore an otherwise uncharted territory, such as the music of the New World or the early musical traditions of non-Western cultures.
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Volume 34, Number 3, August 2006Table of Contents
- Editorial
- p. 357
- The first printed musical dictionary
- pp. 479-481
- Yielding Willaert's secrets
- pp. 481-482
- A master of the sonata before Corelli?
- pp. 482-483
- The Janus faces of the 17th century
- pp. 483-485
- Dazzling concertos
- pp. 487-489
- Fugal rejuvenation
- pp. 489-492
- Sadie on Mozart
- pp. 492-494
- In the company of Richard Burnett
- pp. 494-497
- Cuckolds all a row
- pp. 499-501
- Michel Lambert's miniatures
- pp. 501-504
- Boccherini's concert arias
- pp. 504-506
- Early keyboard
- pp. 507-510
- Monteverdi motets and madrigals
- pp. 510-513
- Corelli and his legacy
- pp. 513-515
- Completing Vivaldi
- pp. 515-517
- Bach concertos and cantatas
- pp. 517-520
- Mostly Hummel
- pp. 520-522
- Another batch of reissues
- pp. 522-525
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Copyright © 2006 The Authors and Oxford University Press.