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Table of Contents

  1. A Tale of 'Simple' Malory and the Critics
  2. Andrew Lynch
  3. pp. 10-15
  4. DOI: https://doi.org/10.1353/art.2006.0065
  5. restricted access
  1. Sir Thomas Malory's Narrative of Faith
  2. Kevin T. Grimm
  3. pp. 16-20
  4. DOI: https://doi.org/10.1353/art.2006.0070
  5. restricted access
  1. 'I love nat to be constrayned to love': Emotional Charity and Malory's World
  2. Felicia Nimue Ackerman
  3. pp. 21-24
  4. DOI: https://doi.org/10.1353/art.2006.0075
  5. restricted access
  1. 'Alas! Who may truste thys world?': Absence of Trust in Malory's Tale of 'Balin le Sauvage'
  2. Janet Jesmok
  3. pp. 25-29
  4. DOI: https://doi.org/10.1353/art.2006.0079
  5. restricted access
  1. The (Non-)Christian Knight in Malory: A Contradiction in Terms?
  2. Dorsey Armstrong
  3. pp. 30-34
  4. DOI: https://doi.org/10.1353/art.2006.0083
  5. restricted access
  1. Elaine of Ascolat's Death and the Ars Moriendi
  2. Rebecca L. Reynolds
  3. pp. 35-39
  4. DOI: https://doi.org/10.1353/art.2006.0087
  5. restricted access
  1. Malory's Use of 'Counsel' and 'Advyce' in Creating a King
  2. Meredith Reynolds
  3. pp. 40-44
  4. DOI: https://doi.org/10.1353/art.2006.0063
  5. restricted access
  1. Malory And Cardiff
  2. P.J.C. Field
  3. pp. 45-48
  4. DOI: https://doi.org/10.1353/art.2006.0068
  5. restricted access
  1. 'Delyver Me My Dwarff!': Gareth's Dwarf and Chivalric Identity
  2. Emily Rebekah Huber
  3. pp. 49-53
  4. DOI: https://doi.org/10.1353/art.2006.0072
  5. restricted access
  1. The Worst Arthurian Cartoon Ever
  2. Michael N. Salda
  3. pp. 54-58
  4. DOI: https://doi.org/10.1353/art.2006.0077
  5. restricted access
  1. Lancelot's Wives
  2. Helen Cooper
  3. pp. 59-62
  4. DOI: https://doi.org/10.1353/art.2006.0081
  5. restricted access
  1. Rest in Peace: Launcelot's Spiritual Journey in Le Morte Darthur
  2. Kate Dosanjh
  3. pp. 63-67
  4. DOI: https://doi.org/10.1353/art.2006.0085
  5. restricted access
  1. Malory's Launcelot and the Language of Sin and Confession
  2. Karen Cherewatuk
  3. pp. 68-72
  4. DOI: https://doi.org/10.1353/art.2006.0090
  5. restricted access
  1. Divine Love or Loving Divinely?: The Ending of Malory's Morte Darthur
  2. Mickey Sweeney
  3. pp. 73-77
  4. DOI: https://doi.org/10.1353/art.2006.0066
  5. restricted access
  1. Back from the Queste: Malory's Launcelot Enrages Gwenyvere
  2. Alan Gaylord
  3. pp. 78-83
  4. DOI: https://doi.org/10.1353/art.2006.0071
  5. restricted access
  1. Reading Aloud with Tom Hanks: A Reader's Perspective
  2. Paul Thomas
  3. pp. 84-87
  4. DOI: https://doi.org/10.1353/art.2006.0076
  5. restricted access
  1. The Clash of Genres at the Siege of Benwick
  2. Thomas J. Farrell
  3. pp. 88-93
  4. DOI: https://doi.org/10.1353/art.2006.0080
  5. restricted access
  1. Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia by Susan Aronstein (review)
  2. Tison Pugh
  3. pp. 97-98
  4. DOI: https://doi.org/10.1353/art.2006.0084
  5. restricted access
  1. Elizabeth Jane Weston: Collected Writings ed. by Donald Cheney and Brenda M. Hosington (review)
  2. Edward V. George
  3. pp. 100-101
  4. DOI: https://doi.org/10.1353/art.2006.0064
  5. restricted access
  1. Fifty Key Medieval Thinkers by Gillian Rosemary Evans (review)
  2. Arjo Vanderjagt
  3. pp. 101-102
  4. DOI: https://doi.org/10.1353/art.2006.0069
  5. restricted access
  1. The Grail Procession. The Legend, the Artifacts, and the Possible Sources of the Story by Justin E. Griffin (review)
  2. Ulrich Müller
  3. p. 102
  4. DOI: https://doi.org/10.1353/art.2006.0074
  5. restricted access
  1. Arturo el Rey by Joan Upton Hall (review)
  2. Kevin J. Harty
  3. p. 103
  4. DOI: https://doi.org/10.1353/art.2006.0078
  5. restricted access
  1. Joan of Arc in French Art and Culture (1700-1855), From Satire to Sanctity by Nora M. Heimann (review)
  2. Kevin J. Harty
  3. pp. 104-105
  4. DOI: https://doi.org/10.1353/art.2006.0082
  5. restricted access
  1. Postcolonial Approaches to the European Middle Ages: Translating Cultures ed. by Ananya Jahanara Kabir and Deanne Williams (review)
  2. Laurie Finke
  3. pp. 105-106
  4. DOI: https://doi.org/10.1353/art.2006.0086
  5. restricted access
  1. St. Joseph of Arimathea at Glastonbury or The Apostolic Church of Britain by Lionel Smithett Lewis (review)
  2. Deborah Crawford
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/art.2006.0091
  5. restricted access
  1. King Arthur, or The British Worthy; A Dramatick Opera in Five Acts by Henry Purcell (review)
  2. Kevin J. Harty
  3. p. 108
  4. DOI: https://doi.org/10.1353/art.2006.0067
  5. restricted access
  1. Women in the Middle Ages: An Encyclopedia ed. by Katharina A. Wilson and Nadia Margolis (review)
  2. Laura D. Barefield
  3. pp. 109-110
  4. DOI: https://doi.org/10.1353/art.2006.0073
  5. restricted access
  1. Introduction: Tom Hanks, The Voice of Malory
  2. Julie Nelson Couch
  3. pp. 5-9
  4. DOI: https://doi.org/10.1353/art.2006.0089
  5. restricted access
  1. Women Medievalists and the Academy ed. by Jane Chance (review)
  2. Jacqueline de Weever
  3. pp. 98a-99
  4. DOI: https://doi.org/10.1353/art.2006.0088
  5. restricted access