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Table of Contents

  1. 'Cherchez Eufeme': The Evil Queen in Le Roman de Silence
  2. Katie Keene
  3. pp. 3-22
  4. DOI: https://doi.org/10.1353/art.2004.0084
  5. restricted access
  1. Camelot Calling: BBC Radio's Role in the Diffusion and Evolution of the Arthurian Legends, 1935 to 1960
  2. Roger Simpson
  3. pp. 23-52
  4. DOI: https://doi.org/10.1353/art.2004.0009
  5. restricted access
  1. MGM's 1953 Knights of the Round Table in its Manuscript Context
  2. Joseph M. Sullivan
  3. pp. 53-68
  4. DOI: https://doi.org/10.1353/art.2004.0023
  5. restricted access
  1. Constructing a Perilous Chapel: Contesting Power Structures in Naomi Mitchison's To The Chapel Perilous
  2. Michael D. Amey
  3. pp. 69-80
  4. DOI: https://doi.org/10.1353/art.2004.0037
  5. restricted access
  1. The Da Vinci Code: Dan Brown and The Grail That Never Was
  2. Norris J. Lacy
  3. pp. 81-93
  4. DOI: https://doi.org/10.1353/art.2004.0051
  5. restricted access
  1. The Friend by Alan Bray (review)
  2. Donald L. Hoffman
  3. pp. 94-95
  4. DOI: https://doi.org/10.1353/art.2004.0065
  5. restricted access
  1. Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut by Ardis Butterfield (review)
  2. Henry H. Peyton III
  3. pp. 96-97
  4. DOI: https://doi.org/10.1353/art.2004.0078
  5. restricted access
  1. A Companion to the Lancelot-Grail Cycle edited by Carol Dover (review)
  2. Karen Cherewatuk
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/art.2004.0004
  5. restricted access
  1. Gendering the Crusades edited by Susan B. Edgington and Sarah Lambert (review)
  2. Laura D. Barefield
  3. pp. 99-100
  4. DOI: https://doi.org/10.1353/art.2004.0017
  5. restricted access
  1. The Orient in Chaucer and Medieval Romance by Carol F. Heffernan (review)
  2. Donald L. Hoffman
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/art.2004.0031
  5. restricted access
  1. Pilgrimage: The English Experience from Becket to Bunyan edited by Colin Morris and Peter Roberts (review)
  2. Lillian M. Bisson
  3. pp. 102-103
  4. DOI: https://doi.org/10.1353/art.2004.0045
  5. restricted access
  1. Representing Rape in Medieval and Early Modern Literature edited by Elizabeth Robertson and Christine M. Rose (review)
  2. Corinne Saunders
  3. pp. 104-105
  4. DOI: https://doi.org/10.1353/art.2004.0059
  5. restricted access
  1. Absent Narratives, Manuscript Textuality, and Literary Structure in Late Medieval England by Elizabeth Scala (review)
  2. Gergely Nagy
  3. pp. 106-107
  4. DOI: https://doi.org/10.1353/art.2004.0073
  5. restricted access
  1. History on the Edge: Excalibur and the Borders of Britain, 1100-1300 by Michelle R. Warren (review)
  2. Christopher A. Snyder
  3. pp. 107-109
  4. DOI: https://doi.org/10.1353/art.2004.0087
  5. restricted access
  1. The Decameron: First Day in Perspective edited by Elissa Weaver (review)
  2. B. Alvarez
  3. pp. 109-110
  4. DOI: https://doi.org/10.1353/art.2004.0012
  5. restricted access
  1. Medieval Insular Romance: Translation and Innovation edited by Judith Weiss, Jennifer Fellows and Morgan Dickson (review)
  2. K. S. Whetter
  3. pp. 110-111
  4. DOI: https://doi.org/10.1353/art.2004.0026
  5. restricted access
  1. A Knightly Endeavor: The Making of Jerry Bruckheimer's King Arthur
  2. John Matthews
  3. pp. 112-115
  4. DOI: https://doi.org/10.1353/art.2004.0040
  5. restricted access
  1. An Interview with David Franzoni
  2. John Matthews
  3. pp. 115-120
  4. DOI: https://doi.org/10.1353/art.2004.0054
  5. restricted access
  1. King Arthur directed by Antoine Fuqua (review)
  2. Kevin J. Harty
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/art.2004.0068
  5. restricted access
  1. King Arthur directed by Antoine Fuqua (review)
  2. Alan Lupack
  3. pp. 123-124
  4. DOI: https://doi.org/10.1353/art.2004.0081
  5. restricted access