+ MUSE Alert

In this Issue

Table of Contents

  1. The Distinguished Shaman: T. S. Eliot's Portraits in Modern Art
  2. Nuzhat Bukhari
  3. pp. 373-424
  4. DOI: https://doi.org/10.1353/mod.2004.0050
  5. restricted access
  1. T. S. Eliot and A. C. Swinburne: Decadent Bodies, Modern Visualities, and Changing Modes of Perception
  2. Cassandra Laity
  3. pp. 425-448
  4. DOI: https://doi.org/10.1353/mod.2004.0059
  5. restricted access
  1. In the Shadows: Popular Song and Eliot's Construction of Emotion
  2. David Chinitz
  3. pp. 449-467
  4. DOI: https://doi.org/10.1353/mod.2004.0053
  5. restricted access
  1. In Pursuit of Wilde Possum: Reflections on Eliot, Modernism, and the Nineties
  2. Ronald Bush
  3. pp. 469-485
  4. DOI: https://doi.org/10.1353/mod.2004.0051
  5. restricted access
  1. Iris Barry, Writer and Cineaste, Forming Film Culture in London 1924-1926: the Adelphi, the Spectator, the Film Society, and the British Vogue
  2. Leslie K. Hankins
  3. pp. 488-515
  4. DOI: https://doi.org/10.1353/mod.2004.0057
  5. restricted access
  1. Gadze Modernism
  2. Janet Lyon
  3. pp. 517-538
  4. DOI: https://doi.org/10.1353/mod.2004.0061
  5. restricted access
  1. Alan's Wife: Mother Love and Theatrical Sociability in London of the 1890s
  2. Katherine E. Kelly
  3. pp. 539-560
  4. DOI: https://doi.org/10.1353/mod.2004.0058
  5. restricted access
  1. The Rebirth of Tragedy: Yeats, Nietzsche, the Irish National Theatre, and the Anti-Modern Cult of Cuchulain
  2. Michael Valdez Moses
  3. pp. 561-579
  4. DOI: https://doi.org/10.1353/mod.2004.0065
  5. restricted access
  1. Fluxier-than-Thou
  2. Marjorie Perloff
  3. pp. 581-587
  4. DOI: https://doi.org/10.1353/mod.2004.0066
  5. restricted access
  1. Camembert: The Fermentation of a National Myth
  2. Jean-Michel Rabaté
  3. pp. 589-591
  4. DOI: https://doi.org/10.1353/mod.2004.0067
  5. restricted access
  1. Sublime Failures: The Ethics of Kant and Sade (review)
  2. James Gordon Finlayson
  3. pp. 593-596
  4. DOI: https://doi.org/10.1353/mod.2004.0056
  5. restricted access
  1. The Joy of Life: The Idyllic in French Art, circa 1900 (review)
  2. Ellen McBreen
  3. pp. 596-598
  4. DOI: https://doi.org/10.1353/mod.2004.0063
  5. restricted access
  1. Gender, Sexuality, and Desire in T. S. Eliot (review)
  2. Rachel Blau DuPlessis
  3. pp. 599-602
  4. DOI: https://doi.org/10.1353/mod.2004.0055
  5. restricted access
  1. Rare and Commonplace Flowers: The Story of Elizabeth Bishop and Lota de Macedo Soares, and: Elizabeth Bishop: The Art of Travel (review)
  2. Bonnie Costello
  3. pp. 602-604
  4. DOI: https://doi.org/10.1353/mod.2004.0054
  5. restricted access
  1. Hearts of Darkness: White Women Write Race (review)
  2. Phyllis Lassner
  3. pp. 605-607
  4. DOI: https://doi.org/10.1353/mod.2004.0060
  5. restricted access
  1. Zwischen Abwehr und Anpassung: Strategien der Realitatsverarbeitung in den Texten nichtfaschistischer junger Autorinnen von 1930-1945 (review)
  2. Mary Macfarlane
  3. pp. 607-608
  4. DOI: https://doi.org/10.1353/mod.2004.0062
  5. restricted access
  1. Constructing Identity in Contemporary Spain: Theoretical Debates and Cultural Practice, and: Mujer, modernismo y vanguardia en Espana (1898-1931) (review)
  2. Jordana Mendelson
  3. pp. 609-612
  4. DOI: https://doi.org/10.1353/mod.2004.0064
  5. restricted access
  1. Kafka's Travels: Exoticism, Colonialism, and the Traffic of Writing (review)
  2. Sabine Wilke
  3. pp. 612-613
  4. DOI: https://doi.org/10.1353/mod.2004.0069
  5. restricted access
  1. Regions of Sorrow: Anxiety and Messianism in Hannah Arendt and W.H. Auden (review)
  2. Charlotte Taylor
  3. pp. 614-615
  4. DOI: https://doi.org/10.1353/mod.2004.0068
  5. restricted access
  1. Recent Books of Interest
  3. pp. 617-620
  4. DOI: https://doi.org/10.1353/mod.2004.0049
  5. restricted access
  1. The Uncanny: An Introduction (review)
  2. Havi Carel
  3. pp. 598-599
  4. DOI: https://doi.org/10.1353/mod.2004.0052
  5. restricted access