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In this Issue

Table of Contents

  1. Spotlight: Fan and Audience Studies Scholarly Interest Group
  2. Mel Stanfill, Ross Garner
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/cj.2022.0059
  5. restricted access
  1. Spotlight: Elizabeth Patton
  2. Elizabeth Patton, TreaAndrea M. Russworm
  3. pp. 4-6
  4. DOI: https://doi.org/10.1353/cj.2022.0060
  5. restricted access
  1. Picture Pain: Anti-Heteronormative Female Fandom in Early Hollywood
  2. Diana W. Anselmo
  3. pp. 7-35
  4. DOI: https://doi.org/10.1353/cj.2022.0061
  5. restricted access
  1. Emotional Point of View in The Texas Chain Saw Massacre
  2. Eliot Bessette
  3. pp. 36-59
  4. DOI: https://doi.org/10.1353/cj.2022.0062
  5. restricted access
  1. To Educate and Inform: A History of Television for Deaf Audiences on the BBC
  2. Ilana R. Emmett
  3. pp. 60-81
  4. DOI: https://doi.org/10.1353/cj.2022.0063
  5. restricted access
  1. Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan
  2. Stella Soojin Kim
  3. pp. 82-107
  4. DOI: https://doi.org/10.1353/cj.2022.0064
  5. restricted access
  1. "Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood
  2. Dimitrios Latsis
  3. pp. 108-132
  4. DOI: https://doi.org/10.1353/cj.2022.0065
  5. restricted access
  1. A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro
  2. Nicole Beth Wallenbrock
  3. pp. 133-156
  4. DOI: https://doi.org/10.1353/cj.2022.0066
  5. restricted access
  1. Introduction: Film Programmers Speak
  2. Terri Simone Francis
  3. pp. 158-161
  4. DOI: https://doi.org/10.1353/cj.2022.0067
  5. restricted access
  1. Ecstatic Rest and the Black Gaze in a Time of Loss
  2. Melissa Lyde
  3. pp. 162-166
  4. DOI: https://doi.org/10.1353/cj.2022.0068
  5. restricted access
  1. On Building Black Film Archive, a Digital Archive that Responds to a Movement
  2. Maya S. Cade
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/cj.2022.0069
  5. restricted access
  1. Effecting Repair: A Canyon Cinema Report on the "Rediscovery" of Toney W. Merritt
  2. Brett Kashmere
  3. pp. 170-175
  4. DOI: https://doi.org/10.1353/cj.2022.0070
  5. restricted access
  1. Righting and Re-writing the Historical Record: Re-releasing the Films of Madeline Anderson
  2. Livia Bloom Ingram
  3. pp. 176-181
  4. DOI: https://doi.org/10.1353/cj.2022.0071
  5. restricted access
  1. Creating Another Screen
  2. Daniella Shreir
  3. pp. 182-185
  4. DOI: https://doi.org/10.1353/cj.2022.0072
  5. restricted access
  1. Filmgoing's Often Unseen Labor
  2. Jon Dieringer
  3. pp. 186-188
  4. DOI: https://doi.org/10.1353/cj.2022.0073
  5. restricted access
  1. Who Gets to Call It Black? Practicing Decentering the United States in Film Programming
  2. Heitor Augusto
  3. pp. 189-193
  4. DOI: https://doi.org/10.1353/cj.2022.0074
  5. restricted access
  1. The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig (review)
  2. Philippe Bédard
  3. pp. 196-200
  4. DOI: https://doi.org/10.1353/cj.2022.0075
  5. restricted access
  1. Wild Blue Media: Thinking through Seawater by Melody Jue (review)
  2. Ann Elias
  3. pp. 201-204
  4. DOI: https://doi.org/10.1353/cj.2022.0076
  5. restricted access
  1. Figure and Force in Animation Aesthetics by Ryan Pierson (review)
  2. Tien-Tien Jong
  3. pp. 205-209
  4. DOI: https://doi.org/10.1353/cj.2022.0055
  5. restricted access
  1. LGBTQ Film Festivals: Curating Queerness by Antoine Damiens (review)
  2. Siddharth Chadha
  3. pp. 210-213
  4. DOI: https://doi.org/10.1353/cj.2022.0056
  5. restricted access
  1. Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez (review)
  2. Zizi Li
  3. pp. 214-218
  4. DOI: https://doi.org/10.1353/cj.2022.0057
  5. restricted access
  1. Italian Ecocinema: Beyond the Human by Elena Past (review)
  2. Sabrina Negri
  3. pp. 219-223
  4. DOI: https://doi.org/10.1353/cj.2022.0058
  5. restricted access