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Table of Contents

  1. Présentation : L’art de Malabou
  2. Hannes Opelz
  3. pp. 627-636
  4. DOI: https://doi.org/10.1353/mln.2022.0047
  5. restricted access
  1. Quand on n’a que le discours: Réflexions sur la forme
  2. Catherine Malabou
  3. pp. 637-645
  4. DOI: https://doi.org/10.1353/mln.2022.0048
  5. restricted access
  1. Un regard animal
  2. Jean-Luc Nancy
  3. pp. 646-656
  4. DOI: https://doi.org/10.1353/mln.2022.0049
  5. restricted access
  1. Plasticité du dehors
  2. Hannes Opelz
  3. pp. 657-672
  4. DOI: https://doi.org/10.1353/mln.2022.0050
  5. restricted access
  1. Plasticity and Formlessness between Malabou and Bataille
  2. Benjamin Dalton
  3. pp. 673-690
  4. DOI: https://doi.org/10.1353/mln.2022.0051
  5. restricted access
  1. Formes de vie, formes de fuite
  2. Michael Cronin
  3. pp. 691-707
  4. DOI: https://doi.org/10.1353/mln.2022.0052
  5. restricted access
  1. Between the Fear and the Fall: Malabou, Art, and the Symptomatic Plasticity of AI
  2. Robert Thomas Kilroy
  3. pp. 708-736
  4. DOI: https://doi.org/10.1353/mln.2022.0053
  5. restricted access
  1. Pleasure Unthought in Translation
  2. Carolyn Shread
  3. pp. 737-754
  4. DOI: https://doi.org/10.1353/mln.2022.0054
  5. restricted access
  1. La rumeur, ou l’anarchimédium
  2. Peter Szendy
  3. pp. 755-775
  4. DOI: https://doi.org/10.1353/mln.2022.0055
  5. restricted access
  1. The Deadly Time of Capitalism: Suicide and Plasticity in the French Workplace
  2. Anne M. Mulhall
  3. pp. 778-800
  4. DOI: https://doi.org/10.1353/mln.2022.0056
  5. restricted access
  1. L’avenir de la mimèsis: Entretien avec Catherine Malabou
  2. Catherine Malabou, Hannes Opelz
  3. pp. 801-813
  4. DOI: https://doi.org/10.1353/mln.2022.0057
  5. restricted access
  1. The Night Itself: Blanchot, Descartes
  2. William S. Allen
  3. pp. 814-840
  4. DOI: https://doi.org/10.1353/mln.2022.0058
  5. restricted access
  1. The Last Revolutionaries: The Conspiracy Trial of Gracchus Babeuf and the Equals by Laura Mason (review)
  2. Nicole Karam
  3. pp. 841-844
  4. DOI: https://doi.org/10.1353/mln.2022.0059
  5. restricted access
  1. Behold an Animal: Four Exorbitant Readings by Thangam Ravindranathan (review)
  2. Derek Schilling
  3. pp. 844-847
  4. DOI: https://doi.org/10.1353/mln.2022.0060
  5. restricted access
  1. Contributors
  3. pp. 848-850
  4. DOI: https://doi.org/10.1353/mln.2022.0061
  5. restricted access
  1. Books Received
  3. p. 851
  4. DOI: https://doi.org/10.1353/mln.2022.0062
  5. restricted access