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In this Issue

Table of Contents

  1. Editors' Note
  2. Marta Werner, Michelangelo Zaccarello
  3. pp. 1-3
  4. restricted access
  1. Adventures in Libraries: Thoughts on Epistemology
  2. Ralph Hanna
  3. pp. 4-17
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  1. The Accidentals Tourist: Greg's "Rationale of Copy-Text" and the Dawn of Transatlantic Air Travel
  2. Sarah Neville
  3. pp. 18-29
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  1. Textual Continuity
  2. John K. Young
  3. pp. 30-59
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  1. Tipologie di contaminazione nella tradizione testuale della "Commedia" dantesca
  2. Elisabetta Tonello
  3. pp. 60-69
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  1. Editing Versions: Historicism, Biography, and the Digital in Tanselle's Descriptive Bibliography
  2. John Bryant
  3. pp. 70-93
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  1. Music's Textual Dilemma: Mistrusting Musical Texts
  2. Ronald Broude
  3. pp. 94-114
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  1. Attributing Another Song to Maroie de Diergnau de Lille
  2. Wendy Pfeffer
  3. pp. 115-133
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  1. Printers of the Kosmos: Designing a Variorum of the First Leaves of Grass
  2. Matt Cohen, Nicole Gray
  3. pp. 134-154
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  1. Metalepsis in a Narrative Piece by M. S. Lourenço
  2. João Dionísio
  3. pp. 155-176
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  1. Giacomo Casanova et Cecille von Roggendorff: Lettres de sa dernière correspondante
  2. Elena Grazioli
  3. pp. 177-194
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  1. How Should One Read "The Reader"? New Approaches to Virginia Woolf's Late Archive
  2. Joshua Phillips
  3. pp. 195-219
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  1. An Evolutionary Textual Environment: The Unfinished Machine
  2. Manuel Portela
  3. pp. 220-238
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  1. The Nature of the Page: Poetry, Papermaking, and the Ecology of Texts in Renaissance England by Joshua Calhoun (review)
  2. Douglas Bruster
  3. pp. 239-241
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  1. Postprint: Books and Becoming Computational by N. Katherine Hayles (review)
  2. Matthew James Vechinski
  3. pp. 242-246
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  1. Book Traces: Nineteenth-Century Readers and the Future of the Library by Andrew M. Stauffer (review)
  2. Gabrielle Dean
  3. pp. 246-251
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  1. The Plague in Print: Essential Elizabethan Sources, 1558–1603 by Rebecca Totaro (review)
  2. Suzanne Gossett
  3. pp. 251-254
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  1. Every Hour, Every Atom: A Collection of Walt Whitman's Early Notebooks & Fragments ed. by Zachary Turpin and Matt Miller (review)
  2. Matt Cohen
  3. pp. 254-258
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  1. Writing in Time, Emily Dickinson's Master Hours ed. by Marta Werner (review)
  2. Branka Arsić
  3. pp. 258-264
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  1. Eugenio Montale: La Bufera e Altro ed. by Ida Campeggiani and Niccolò Scaffai (review)
  2. Giacomo Morbiato
  3. pp. 265-268
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  1. Thibaut de Champagne. Edizione, tradizione e fortuna ed. by Paolo Canettieri et al. (review)
  2. Valeria Russo
  3. pp. 268-271
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  1. Filigrane. Nuovi tasselli per Petrarca e Boccaccio by Loredana Chines (review)
  2. Rosamaria Laruccia
  3. pp. 271-275
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  1. Il Sommo italiano. Dante e l'identità della nazione ed. by Fulvio Conti (review)
  2. Beatrice Pecchiari
  3. pp. 275-279
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  1. What is authorial philology? by Paola Italia et al. (review)
  2. Beatrice Nava
  3. pp. 280-284
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  1. La tradition manuscrite du Lai de l'Ombre de Joseph Bédier, ou la critique textuelle en question by Frédéric Duval, and: À quoi sert une édition critique ? Lire les textes de la littérature romane médiévale by Pietro Beltrami, and: Sguardi da un altro pianeta. Nove esercizi di filologia (Lai de l'ombre, Libro de buen amor, Lazarillo, fonti storiche e musicali) by Paolo Trovato, and: L'Ombre de Joseph Bédier: théorie et pratique éditoriales au xxe siècle eds. by Craig Baker et al., and: Everything you always wanted to know about Lachmann's method. A non-standard handbook of genealogical textual criticism in the age of post-structuralism, cladistics, and copytext by Paolo Trovato (review)
  2. Elena Muzzolon
  3. pp. 285-293
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  1. Contributors
  3. pp. 294-299
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