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Table of Contents

  1. Time/frame: Rewriting the Mirror Stage in Lacan's Anxiety Seminar
  2. David Sigler, Celiese Lypka
  3. pp. 1-21
  4. DOI: https://doi.org/10.1353/esc.2019.0015
  5. restricted access
  1. From Philosopher's Wife to Feminist Autotheorist: Performing Phallic Mimesis as Parody in Chris Kraus's I Love Dick
  2. Lauren Fournier
  3. pp. 23-52
  4. DOI: https://doi.org/10.1353/esc.2019.0016
  5. restricted access
  1. Punk is Dead: Notes Toward the Apocalyptic Tone Adopted by Punk Rock
  2. George C. Grinnell
  3. pp. 53-81
  4. DOI: https://doi.org/10.1353/esc.2019.0017
  5. restricted access
  1. P.K. Page's "Inebriate": A Gloss on a Glosa
  2. Robert Lecker
  3. pp. 83-99
  4. DOI: https://doi.org/10.1353/esc.2019.0018
  5. restricted access
  1. Building a Practical Past: Wayson Choy's Paper Shadows
  2. Alain Régnier
  3. pp. 101-121
  4. DOI: https://doi.org/10.1353/esc.2019.0019
  5. restricted access
  1. Politics of Memory: Digital Repositories, Settler Colonialism, and Jordan Abel's Un/inhabited
  2. Eric Schmaltz
  3. pp. 123-142
  4. DOI: https://doi.org/10.1353/esc.2019.0020
  5. restricted access
  1. The Source and Structure of Girl World: Tina Fey's Mean Girls and Rosalind Wiseman's Queen Bees and Wannabes
  2. D.M.R. Bentley
  3. pp. 143-164
  4. DOI: https://doi.org/10.1353/esc.2019.0021
  5. restricted access
  1. Making Believe: Questions about Mennonites and Art by Magdalene Redekop (review)
  2. Marlene Epp
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/esc.2019.0022
  5. restricted access