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Table of Contents

  1. Peter Hujar: Shamelessness Without Shame
  2. Harrison Adams
  3. pp. 319-353
  4. DOI: https://doi.org/10.13110/criticism.63.4.0319
  5. restricted access
  1. Narrating General Performance: Art, Life, and Labor in Niña Weijers's The Consequences and Tom Mccarthy's Satin Island
  2. Stephan Besser
  3. pp. 355-380
  4. DOI: https://doi.org/10.1353/crt.2021.a842070
  5. restricted access
  1. From New Criticism to Postcritique: Kate Millett's Method in The History of The Present
  2. Leah Claire Allen
  3. pp. 381-407
  4. DOI: https://doi.org/10.13110/criticism.63.4.0381
  5. restricted access
  1. Nature, Capitalism, and The Temporalities of Sleep: On Karen Thompson Walker's The Dreamers
  2. Greg Forter
  3. pp. 409-434
  4. DOI: https://doi.org/10.13110/criticism.63.4.0409
  5. restricted access
  1. Towards an Etiology of The Closet: Sexuality Studies "After Sedgwick"
  2. Kazuki Yamada
  3. pp. 435-440
  4. DOI: https://doi.org/10.13110/criticism.63.4.0435
  5. restricted access
  1. A Field in Formation: Intersectionality Is/As Social Justice
  2. Lee Y. Weeks Jr.
  3. pp. 441-444
  4. DOI: https://doi.org/10.13110/criticism.63.4.0441
  5. restricted access
  1. On Not Already Knowing
  2. J. D. Porter
  3. pp. 445-448
  4. DOI: https://doi.org/10.13110/criticism.63.4.0445
  5. restricted access