1. Books in Books: The Idea of the Book in the Fifteenth-Century English Visual Imagination
  2. J. R Mattison
  3. pp. 267-296
  4. DOI: 10.1353/bh.2021.0010
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  1. Ballard, Lully, and the Books that Helped Change How We Think about Music
  2. Ronald Broude
  3. pp. 297-319
  4. DOI: 10.1353/bh.2021.0011
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  1. How Late Imperial Chinese Literati Read Their Books: Inscribing, Collating, Excerpting
  2. Fan Wang
  3. pp. 320-351
  4. DOI: 10.1353/bh.2021.0012
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  1. Embedded Authorship: Thomas Carlyle, Ralph Waldo Emerson, and Nineteenth-Century “Transatlantic Bibliopoly”
  2. Tim Sommer
  3. pp. 352-380
  4. DOI: 10.1353/bh.2021.0013
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  1. “Injured Mutilated or Defaced”: How to Read a Bible in a Nineteenth-Century English Prison
  2. Lucy Sixsmith
  3. pp. 381-404
  4. DOI: 10.1353/bh.2021.0014
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  1. “Out of the business once established could grow various enterprises”: W. E. B. Du Bois and the Ed. L. Simon & Co. Printers
  2. Elizabeth McHenry
  3. pp. 405-450
  4. DOI: 10.1353/bh.2021.0015
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  1. Reading in the Flesh: Anthropodermic Bibliopegy and the Haptic Response
  2. Gillian Silverman
  3. pp. 451-475
  4. DOI: 10.1353/bh.2021.0016
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  1. Cut, Copyright, Paste: Proliferating Print Networks in Susan Howe’s “Melville’s Marginalia”
  2. Anna Muenchrath
  3. pp. 476-498
  4. DOI: 10.1353/bh.2021.0017
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  1. Contributors
  2. pp. 499-500
  3. DOI: 10.1353/bh.2021.0018
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