1. The Book as Cultural Actor: Introduction
  2. Aria Dal Molin, S.C. Kaplan, Deborah McGrady
  3. pp. 167-173
  4. DOI: 10.1353/dph.2021.0021
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  1. When Foxes Rove: Jean Bouchet’s Regnars traversant, Basel–Paris–Brussels–Frankfurt–Dresden
  2. Adrian Armstrong
  3. pp. 174-198
  4. DOI: 10.1353/dph.2021.0022
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  1. Illustrating Tristan: Vérard and His Artists, c. 1496
  2. Mary Beth Winn, Isabelle Delaunay
  3. pp. 199-227
  4. DOI: 10.1353/dph.2021.0023
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  1. (Christ’s) Blood as Ink: Affective Secular Reading in Late Medieval France
  2. Anneliese Pollock Renck
  3. pp. 228-250
  4. DOI: 10.1353/dph.2021.0024
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  1. Writing Festive Performance in Late-Thirteenth-and Early-Fourteenth-Century Picardy, Lorraine, and Metz
  2. Nancy Freeman Regalado
  3. pp. 251-264
  4. DOI: 10.1353/dph.2021.0025
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  1. Intellectual Siblingship: Philip the Good’s Book Gifts to Agnes of Burgundy
  2. S.C. Kaplan
  3. pp. 290-309
  4. DOI: 10.1353/dph.2021.0013
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  1. The Gift of Comedy: Presenting and Representing Political Authority in Sixteenth-Century Siena
  2. Aria Dal Molin
  3. pp. 310-330
  4. DOI: 10.1353/dph.2021.0014
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  1. Biblissima (review)
  2. Róisín Astell
  3. pp. 331-334
  4. DOI: 10.1353/dph.2021.0018
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  1. Anglo-Saxon Manuscripts in Microfiche Facsimile ed. by A. N. Doane and Matthew T. Hussey (review)
  2. Tiffany Beechy
  3. pp. 335-336
  4. DOI: 10.1353/dph.2021.0015
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  1. The Life of Saint Eufrosine In Old French Verse, with English Translation ed. by Amy V. Ogden (review)
  2. Blake Gutt
  3. pp. 337-339
  4. DOI: 10.1353/dph.2021.0017
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  1. Edition Visualization Technology Project (review)
  2. Hannelore Segers
  3. pp. 340-342
  4. DOI: 10.1353/dph.2021.0020
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  1. Medieval French Literary Culture Abroad by Jane Gilbert, Simon Gaunt and William Burgwinkle (review)
  2. Andrew Taylor
  3. pp. 343-345
  4. DOI: 10.1353/dph.2021.0016
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  1. L’atelier de Christine de Pizan by Inès Villela-Petit (review)
  2. Lori J. Walters
  3. pp. 346-348
  4. DOI: 10.1353/dph.2021.0019
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