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Table of Contents

  1. Introduction
  2. Shepherd Steiner
  3. pp. v-xx
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  1. Corpus
  2. Vincent Meessen
  3. pp. xxi-xxv
  4. DOI: https://doi.org/10.1353/mos.2020.0034
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  1. Crossings: A Conversation with Ian Wallace
  2. Shepherd Steiner, Ian Wallace
  3. pp. 1-21
  4. DOI: https://doi.org/10.1353/mos.2020.0035
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  1. L'Antichambre littéraire: Roland Barthes's Regressive Search
  2. Jeff Fort
  3. pp. 23-48
  4. DOI: https://doi.org/10.1353/mos.2020.0036
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  1. Camera Lucida : Obscured in Translation
  2. Johnnie Gratton
  3. pp. 49-74
  4. DOI: https://doi.org/10.1353/mos.2020.0037
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  1. The Photograph as Trace: Barthes, Benjamin, and the Intermediality of Photographic Discourse
  2. Kathrin Yacavone
  3. pp. 75-93
  4. DOI: https://doi.org/10.1353/mos.2020.0038
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  1. The Icon Machine: Expenditure and Third Meaning in Camera Lucida
  2. Bill Scalia
  3. pp. 95-115
  4. DOI: https://doi.org/10.1353/mos.2020.0039
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  1. Roland Barthes and the "Affective Truths" of Autotheory
  2. Kris Pint, Maria Gil Ulldemolins
  3. pp. 117-132
  4. DOI: https://doi.org/10.1353/mos.2020.0040
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  1. At Bear River Station: A Snapshot of Place and Time
  2. Thomas O'Grady
  3. pp. 133-149
  4. DOI: https://doi.org/10.1353/mos.2020.0041
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  1. Index
  3. pp. 151-153
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