1. The Cinematographic Refrain: Memory and Repetition in the Films of Hong Sang-soo and Apichatpong Weerasethakul
  2. María Del Carmen Molina Barea
  3. pp. 1-21
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  1. "Everyone Says I Love You": Four Comic Encomia on Love in the Marx Brothers' Horse Feathers
  2. Dylan Shaul
  3. pp. 22-48
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  1. Remembering Genocide: The Sacred Madonna and Narrative Closure in Atom Egoyan's Ararat
  2. Maya Aghasi
  3. pp. 49-74
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  1. A Mode of Agitation between Verfremdungseffekt and Empathy: Breaking the Fourth Wall in Craig Gillespie's I, Tonya
  2. Wesley Lim
  3. pp. 75-92
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  1. Feng Xiaogang's Youth and the Nostalgic Imagination
  2. Qijun Han
  3. pp. 93-111
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  1. Hinterland Remixed: Media, Memory, and the Canadian 1970S by Andrew Burke (review)
  2. Michael Brendan Baker
  3. pp. 112-115
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  1. André Bazin's Film Theory: Art, Science, Religion by Angela Dalle Vacche (review)
  2. Marc Furstenau
  3. pp. 116-120
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  1. Cinema of Pain: On Quebec's Nostalgic Screen by Liz Czach et André Loiselle (review)
  2. Germain Lacasse
  3. pp. 121-124
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