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In this Issue

Table of Contents

  1. Suspicion Revisited
  2. Michael Walker
  3. pp. 1-38
  4. DOI: https://doi.org/10.1353/hit.2020.0000
  5. restricted access
  1. Under Capricorn and the Hitchcockian Melodrama of Trauma, Recovery, and Remarriage
  2. Sidney Gottlieb
  3. pp. 39-62
  4. DOI: https://doi.org/10.1353/hit.2020.0001
  5. restricted access
  1. Queering the Cattle: Hitchcock and Performance
  2. Thomas Leitch
  3. pp. 63-84
  4. DOI: https://doi.org/10.1353/hit.2020.0002
  5. restricted access
  1. The Dark Comedy Side of Genius
  2. John Bruns
  3. pp. 85-105
  4. DOI: https://doi.org/10.1353/hit.2020.0003
  5. restricted access
  1. The Guardians of Morality vs. the Master of Suspense
  2. David Sterritt
  3. pp. 106-116
  4. DOI: https://doi.org/10.1353/hit.2020.0004
  5. restricted access
  1. Hitchcock’s Spy Films
  2. Henry K. Miller
  3. pp. 117-127
  4. DOI: https://doi.org/10.1353/hit.2020.0005
  5. restricted access
  1. The Forgotten Woman Behind Hitchcock
  2. Nathalie Morris
  3. pp. 128-137
  4. DOI: https://doi.org/10.1353/hit.2020.0006
  5. restricted access
  1. Hitchcock’s Shadow of a Doubt: Social Critique and Cinematic Triumph
  2. Diane Carson
  3. pp. 138-145
  4. DOI: https://doi.org/10.1353/hit.2020.0007
  5. restricted access
  1. Fragments and Fury
  2. David Greven
  3. pp. 146-151
  4. DOI: https://doi.org/10.1353/hit.2020.0008
  5. restricted access
  1. Contributors
  3. pp. 152-154
  4. DOI: https://doi.org/10.1353/hit.2020.0009
  5. restricted access

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