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Table of Contents

  1. Personae / Acknowledgement
  3. DOI: https://doi.org/10.1353/pnm.2006.0000
  4. restricted access
  1. [Photograph]: Robert Yoder: Perry Hall (2001), Painted Wood; 44 by 96 by 1.5 Inches; Howard House Contemporary Art
  2. Robert Yoder
  3. p. 5
  4. DOI: https://doi.org/10.1353/pnm.2006.0001
  5. restricted access
  1. "Where Have We Met Before?" For a 90th Birthday Celebration of Milton Babbitt
  2. Benjamin Boretz
  3. pp. 6-12
  4. DOI: https://doi.org/10.1353/pnm.2006.0002
  5. restricted access
  1. [Photograph]: Robert Yoder: Turner (2003), Painted Wood; 32 by 60 by 2 Inches; Howard House Contemporary Art
  2. Robert Yoder
  3. p. 13
  4. DOI: https://doi.org/10.1353/pnm.2006.0016
  5. restricted access
  1. "What is about, is also of, also is": Words, Musical Organization, and Boretz's Language, as a Music, "Thesis"
  2. Dora A. Hanninen
  3. pp. 14-64
  4. DOI: https://doi.org/10.1353/pnm.2006.0004
  5. restricted access
  1. [Photograph]: Victoria Haven: Landscape Fragments (2004), Ink on Cut Paper; 11 by 9 by 1 Inches; Howard House Contemporary Art
  2. Victoria Haven
  3. p. 65
  4. DOI: https://doi.org/10.1353/pnm.2006.0014
  5. restricted access
  1. A Living Oxymoron: Norman O. Brown's Criticism of John Cage
  2. Christopher Shultis
  3. pp. 66-87
  4. DOI: https://doi.org/10.1353/pnm.2006.0008
  5. restricted access
  1. From a Categorical Point of View: K-Nets as Limit Denotators
  2. Guerino Mazzola, Moreno Andreatta
  3. pp. 88-113
  4. DOI: https://doi.org/10.1353/pnm.2006.0005
  5. restricted access
  1. General Equal-Tempered Harmony (Introduction and Part I)
  2. Ian Quinn
  3. pp. 114-158
  4. DOI: https://doi.org/10.1353/pnm.2006.0010
  5. restricted access
  1. [Photograph]: Victoria Haven: Mirror Mountain (2004), Reflective Mylar; 19 by 33 by 1 Inches; Howard House Contemporary Art
  2. Victoria Haven
  3. p. 159
  4. DOI: https://doi.org/10.1353/pnm.2006.0018
  5. restricted access
  1. Why We Refuse to Listen
  2. Michael Kowalski
  3. pp. 160-218
  4. DOI: https://doi.org/10.1353/pnm.2006.0027
  5. restricted access
  1. [Photograph]: Robert Sperry: Force #12 (1998), Digital IRIS Print; 19.5 by 23 Inches; Howard House Contemporary Art
  2. Robert Sperry
  3. p. 219
  4. DOI: https://doi.org/10.1353/pnm.2006.0025
  5. restricted access
  1. A Search for Emptiness: An Interview with Jonathan Harvey
  2. Matthew Jenkins, Jonathan Harvey
  3. pp. 220-231
  4. DOI: https://doi.org/10.1353/pnm.2006.0019
  5. restricted access
  1. Composed Silence: Microsound and the Quiet Shock of Listening
  2. Thomas Phillips
  3. pp. 232-248
  4. DOI: https://doi.org/10.1353/pnm.2006.0021
  5. restricted access
  1. [Photograph]: Robert Sperry: Platter # 1055 (1993), 27 (dia) by 4 (d) Inches; Howard House Contemporary Art
  2. Robert Sperry
  3. p. 249
  4. DOI: https://doi.org/10.1353/pnm.2006.0003
  5. restricted access
  1. Toshi Ichiyanagi, Japanese Composer and "Fluxus"
  2. Luciana Galliano
  3. pp. 250-261
  4. DOI: https://doi.org/10.1353/pnm.2006.0012
  5. restricted access