In this Issue

Table of Contents

Personae / Acknowledgement

DOI: https://doi.org/10.1353/pnm.2006.0000
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[Photograph]: Robert Yoder: Perry Hall (2001), Painted Wood; 44 by 96 by 1.5 Inches; Howard House Contemporary Art

Robert Yoder
p. 5
DOI: https://doi.org/10.1353/pnm.2006.0001
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"Where Have We Met Before?" For a 90th Birthday Celebration of Milton Babbitt

Benjamin Boretz
pp. 6-12
DOI: https://doi.org/10.1353/pnm.2006.0002
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[Photograph]: Robert Yoder: Turner (2003), Painted Wood; 32 by 60 by 2 Inches; Howard House Contemporary Art

Robert Yoder
p. 13
DOI: https://doi.org/10.1353/pnm.2006.0016
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"What is about, is also of, also is": Words, Musical Organization, and Boretz's Language, as a Music, "Thesis"

Dora A. Hanninen
pp. 14-64
DOI: https://doi.org/10.1353/pnm.2006.0004
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[Photograph]: Victoria Haven: Landscape Fragments (2004), Ink on Cut Paper; 11 by 9 by 1 Inches; Howard House Contemporary Art

Victoria Haven
p. 65
DOI: https://doi.org/10.1353/pnm.2006.0014
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A Living Oxymoron: Norman O. Brown's Criticism of John Cage

Christopher Shultis
pp. 66-87
DOI: https://doi.org/10.1353/pnm.2006.0008
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From a Categorical Point of View: K-Nets as Limit Denotators

Guerino Mazzola, Moreno Andreatta
pp. 88-113
DOI: https://doi.org/10.1353/pnm.2006.0005
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General Equal-Tempered Harmony (Introduction and Part I)

Ian Quinn
pp. 114-158
DOI: https://doi.org/10.1353/pnm.2006.0010
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[Photograph]: Victoria Haven: Mirror Mountain (2004), Reflective Mylar; 19 by 33 by 1 Inches; Howard House Contemporary Art

Victoria Haven
p. 159
DOI: https://doi.org/10.1353/pnm.2006.0018
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Why We Refuse to Listen

Michael Kowalski
pp. 160-218
DOI: https://doi.org/10.1353/pnm.2006.0027
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[Photograph]: Robert Sperry: Force #12 (1998), Digital IRIS Print; 19.5 by 23 Inches; Howard House Contemporary Art

Robert Sperry
p. 219
DOI: https://doi.org/10.1353/pnm.2006.0025
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A Search for Emptiness: An Interview with Jonathan Harvey

Matthew Jenkins, Jonathan Harvey
pp. 220-231
DOI: https://doi.org/10.1353/pnm.2006.0019
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Composed Silence: Microsound and the Quiet Shock of Listening

Thomas Phillips
pp. 232-248
DOI: https://doi.org/10.1353/pnm.2006.0021
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[Photograph]: Robert Sperry: Platter # 1055 (1993), 27 (dia) by 4 (d) Inches; Howard House Contemporary Art

Robert Sperry
p. 249
DOI: https://doi.org/10.1353/pnm.2006.0003
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Toshi Ichiyanagi, Japanese Composer and "Fluxus"

Luciana Galliano
pp. 250-261
DOI: https://doi.org/10.1353/pnm.2006.0012
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