1. Editorial
  2. Ilia Rodov, Mirjam Rajner
  3. pp. v-vi
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  1. Introduction
  2. Richard I. Cohen
  3. pp. 1-2
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  1. Italian-Jewish Patrons of Modern Art in Nineteenth- and Twentieth-Century Italy
  2. Luisa Levi D’Ancona Modena
  3. pp. 3-29
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  1. Art Collecting by the Galician Jewish Aristocracy: From Majer Jerachmiel von Mises to Artur Lilien-Brzozdowiecki
  2. Sergey R. Kravtsov
  3. pp. 31-50
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  1. Jewish Art Collectors in Poland and the Works of Maksymilian Gierymski before World War II
  2. Aleksandra Krypczyk-De Barra
  3. pp. 51-67
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  1. Dreaming of Raphael: The Politics and Aesthetics of the Michael-Beer-Stiftung for Jewish Artists
  2. Inka Bertz
  3. pp. 69-94
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  1. Self-Patronage versus State Patronage: Polish and Polish-Jewish Artists React to the Trauma of March ’68
  2. Artur Tanikowski
  3. pp. 95-124
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  1. The Kabbalistic Trees of Gershom Scholem
  2. J. H. Chajes
  3. pp. 125-154
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  1. Gender, Orientalism, and the Jewish Nation: Women in the Work of Ephraim Moses Lilien at the German Fin de Siècle by Lynne M. Swarts (review)
  2. Elana Shapira
  3. pp. 163-165
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  1. Issachar Ber Ryback: Leben und Werk by Sigalit Meidler-Waks (review)
  2. Olaf Terpitz
  3. pp. 166-168
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  1. Judenmord: Art and the Holocaust in Post-war Germany by Kathrin Hoffmann-Curtius (review)
  2. Ziva Amishai-Maisels
  3. pp. 169-172
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  1. The Warsaw Ghetto in American Art and Culture by Samantha Baskind (review)
  2. Lisa Saltzman
  3. pp. 173-177
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  1. Secularizing the Sacred: Aspects of Israeli Visual Culture by Alec Mishory (review)
  2. Dalia Manor
  3. pp. 178-181
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  1. Contributors to this Issue
  2. p. 182
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