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In this Issue

Table of Contents

  1. Editorial: Reckoning with Musicology's Past and Present
  2. Philip V. Bohlman, Federico Celestini
  3. pp. 117-119
  4. restricted access
  1. Les livres liturgiques de la Chartreuse d'Évora (Portugal) témoins de la constitution d'un fonds cartusien et des changements dans la liturgie cartusienne à la fin du XVIe siècle
  2. Océane Boudeau
  3. pp. 120-134
  4. restricted access
  1. « L'orchestration mouvante » du Concerto pour piano de Schumann: genèse et perspectives
  2. Vadim Rakochi
  3. pp. 135-159
  4. restricted access
  1. New Hymns for an Ancient Tradition: National, Pedagogical, and Apologetic Motivations of the First Finnish Orthodox Spiritual Songbook (1939)
  2. Pekka Metso, Jenni Hakkarainen
  3. pp. 160-179
  4. restricted access
  1. Aporias of Film Restoration: The Musical Documents of the Silent Era between Film Philology and Market Strategies
  2. Francesco Finocchiaro
  3. pp. 180-199
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  1. „And This Is How New Music Is Made" – Stefan Paul Goetschs Hate Loops im Rahmen der Neuen Musik
  2. Billy Badger
  3. pp. 200-213
  4. restricted access