1. From the Editor
  2. Tom Lynch
  3. pp. ix-xi
  4. DOI: 10.1353/wal.2020.0038
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  1. Plotting Class: A Marxist Introduction to “Trio” Westerns
  2. Jerry D. Leonard
  3. pp. 213-236
  4. DOI: 10.1353/wal.2020.0039
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  1. “Young America” and the Anti-Emersonian Western: John Williams’s Butcher’s Crossing
  2. Anthony Hutchison
  3. pp. 237-260
  4. DOI: 10.1353/wal.2020.0040
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  1. “He’s a Ghost. But He’s Out There”: Borderlands Science Fiction and the Gothic in No Country for Old Men
  2. Micah K. Donohue
  3. pp. 261-287
  4. DOI: 10.1353/wal.2020.0041
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  1. The Border and the Line: Race, Literature, and Los Angeles by Dean J. Franco (review)
  2. Richard T. Rodríguez
  3. pp. 289-291
  4. DOI: 10.1353/wal.2020.0042
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  1. Willa Cather and the Arts ed. by Guy J. Reynolds (review)
  2. Holly Blackford
  3. pp. 291-293
  4. DOI: 10.1353/wal.2020.0043
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  1. The Life of Mark Twain: The Middle Years, 1871–1891 by Gary Scharnhorst (review)
  2. Nicolas S. Witschi
  3. pp. 293-295
  4. DOI: 10.1353/wal.2020.0044
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  1. Below Freezing: Elegy for the Melting Planet by Donald Anderson (review)
  2. Daryl W. Palmer
  3. pp. 295-297
  4. DOI: 10.1353/wal.2020.0045
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  1. Accidental Gravity: Residents, Travelers, and the Landscape of Memory by Bernard Quetchenbach (review)
  2. Ryan McWilliams
  3. pp. 297-299
  4. DOI: 10.1353/wal.2020.0046
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  1. 56th Western Literature Association Conference
  2. p. 300
  3. DOI: 10.1353/wal.2020.0047
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