1. Introduction: The Manuscript Copy and the Printed Original in the Digital Present
  2. Sonja Drimmer
  3. pp. 93-119
  4. DOI: 10.1353/dph.2020.0007
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  1. Replicating the Mechanical Print Aesthetic in Manuscripts before circa 1500
  2. Aditi Nafde
  3. pp. 120-144
  4. DOI: 10.1353/dph.2020.0008
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  1. Hybrid Luxuries: Manuscript and Print at the French Court of Cognac, circa 1480–1510
  2. Larisa Grollemond
  3. pp. 145-176
  4. DOI: 10.1353/dph.2020.0009
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  1. The Progeny of Print: Manuscript Adaptations of John Speed’s Chaucer Engraving
  2. Devani Singh
  3. pp. 177-198
  4. DOI: 10.1353/dph.2020.0010
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  1. Material Afterlives of the Conde Lucanor: Asynchrony in BNE, MS 17788
  2. Anita Savo
  3. pp. 199-227
  4. DOI: 10.1353/dph.2020.0011
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  1. Post Script
  2. Sonja Drimmer
  3. pp. 228-230
  4. DOI: 10.1353/dph.2020.0012
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  1. Conversion, Circumcision, and Ritual Murder in Medieval Europe by Paola Tartakoff (review)
  2. Sarah Ifft Decker
  3. pp. 231-234
  4. DOI: 10.1353/dph.2020.0013
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  1. History and the Written Word: Documents, Literacy, and Language in the Age of the Angevins by Henry Bainton (review)
  2. James B. Harr III
  3. pp. 239-241
  4. DOI: 10.1353/dph.2020.0015
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  1. The Canterbury Roll: A Digital Edition. http://canterburyroll.canterbury.ac.nz
  2. Katherine Storm Hindley
  3. pp. 242-244
  4. DOI: 10.1353/dph.2020.0016
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