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In this Issue

Table of Contents

  1. Dedication: Kurt Eisen (1958–2019)
  3. p. vi
  4. restricted access
  1. Editor's Foreword
  2. Alexander Pettit
  3. pp. vii-viii
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Lost and Found

  1. Portia Wetmore, Eugene O'neill: A Moment in Time, a Toss in the Bushes
  2. Daniel Wetmore
  3. pp. 1-5
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  1. James Light: "The Parade of Masks" (c. 1928)
  2. Robert M. Dowling
  3. pp. 6-17
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  1. James Light: Notes on Staging Eugene O'neill's The Hairy Ape / Cover Letter to H. M. Harwood (1926)
  2. David Clare
  3. pp. 18-30
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Articles

  1. Introducing the Harley Hammerman Collection on Eugene O'neill at Washington University
  2. Joel Minor
  3. pp. 31-45
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  1. The Neoliberal Tyrones in Jon Robin Baitz's Other Desert Cities
  2. Brice Ezell
  3. pp. 46-68
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Practitioners' Colloquium

  1. Teaching Beyond the Horizon: Transdisciplinary Approaches
  2. Krista Hill, Josh Stillwagon, Jennifer Tosti-Kharas, Vikki Rodgers, Beth Wynstra
  3. pp. 69-91
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Used Books

  1. Eugene O'neill and the Tragic Tension by Doris V. Falk (review)
  2. Bess Rowen
  3. pp. 92-95
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Book Reviews

  1. Eugene O'neill and the Reinvention of Theatre Aesthetics by Thierry Dubost (review)
  2. David Palmer
  3. pp. 96-99
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  1. Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage ed. by Max Shulman and J. Chris Westgate (review)
  2. Patrick Chura
  3. pp. 100-103
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Performance Reviews

  1. The Great God Brown dir. by Eric Fraisher Hayes (review)
  2. Alexander Pettit
  3. pp. 104-107
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  1. Ah, wilderness! dir. by Peter Dobbins (review)
  2. Laura Shea
  3. pp. 108-110
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  1. Long Day's Journey Into Night dir. by Brendon Fox (review)
  2. Jo Morello
  3. pp. 111-114
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  1. Strange Interlude dir. by Ben Barnes (review)
  2. William Davies King
  3. pp. 115-118
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In Memoriam

  1. "By Way of Obit": Kurt Eisen (1958–2019)
  2. Steven F. Bloom
  3. pp. 119-122
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