+ MUSE Alert

In this Issue

Table of Contents

  1. News
  2. Jeanne Moskal, Robert Hartley, Neil Fraistat
  3. pp. 7-12
  4. restricted access
  1. Elizabeth Dolan
  2. Jeanne Moskal
  3. p. 13
  4. restricted access
  1. Ben P. Robertson
  2. Jeanne Moskal
  3. p. 14
  4. restricted access
  1. Alan Bewell
  2. Jonathan Mulrooney
  3. pp. 15-19
  4. restricted access
  1. Address To The Keats-Shelley Association of America
  2. Alan Bewell
  3. pp. 20-22
  4. restricted access
  1. Lisa Vargo
  2. Nora Crook
  3. pp. 23-25
  4. restricted access
  1. Address to the Keats-Shelley Association of America
  2. Lisa Vargo
  3. pp. 26-28
  4. restricted access
  1. “You have my life, with my name, in your hands”: Felicia Hemans and William E. West
  2. Noah Comet, Nanora Sweet
  3. pp. 29-48
  4. restricted access
  1. “A Buzzing in his Head”: Keats, Romance, and Lamia’s Noisy World
  2. Hugh Roberts
  3. pp. 49-69
  4. restricted access
  1. Determined not Predetermined: Keats’s Emergence as a Poet in 1817
  2. Susan J. Wolfson
  3. pp. 70-86
  4. restricted access
  1. Imitating Keats: The Case of Thomas Hood
  2. James Najarian
  3. pp. 87-95
  4. restricted access
  1. Keats’s Poetics of Secretion
  2. Brian Rejack
  3. pp. 96-107
  4. restricted access
  1. Invoking Keats
  2. Christopher R. Miller
  3. pp. 108-121
  4. restricted access
  1. Constructing Keats
  2. Duncan Wu
  3. pp. 122-139
  4. restricted access
  1. Erasing Schulz, Restoring Keats: Tree of Codes and Negative Capability
  2. Grant F. Scott
  3. pp. 140-146
  4. restricted access
  1. That Which is Creative Must Create Itself
  2. Stanley Plumly
  3. pp. 147-163
  4. restricted access
  1. The Accidental Anthologies of 1818
  2. Susan J. Wolfson
  3. pp. 164-174
  4. restricted access
  1. Hazlitt’s People
  2. Frances Ferguson
  3. pp. 175-181
  4. restricted access
  1. Taming Austen: 1817–1821 and Now
  2. William Galperin
  3. pp. 182-188
  4. restricted access
  1. Co-Editors’ Preface
  2. Andrew Burkett, Yasmin Solomonescu
  3. p. 189
  4. restricted access
  1. Reading John Keats by Susan J. Wolfson (review)
  2. Michael O’Neill
  3. pp. 190-191
  4. restricted access
  1. John Keats in Context ed. by Michael O’Neill (review)
  2. Brian Rejack
  3. pp. 191-193
  4. restricted access
  1. Shelley’s Living Artistry: Letters, Poems, Plays by Madeleine Callaghan (review)
  2. Daisy Hay
  3. pp. 193-195
  4. restricted access
  1. Eighteen Hundred and Eleven: Poetry, Protest, and Economic Crisis by E. J. Clery (review)
  2. Scott Krawczyk
  3. pp. 195-197
  4. restricted access
  1. Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century by Manu Samriti Chander (review)
  2. Daniel E. White
  3. pp. 197-199
  4. restricted access
  1. What the Victorians Made of Romanticism: Material Artifacts, Cultural Practices, and Reception History by Tom Mole (review)
  2. Anne C. McCarthy
  3. pp. 199-201
  4. restricted access
  1. Rethinking British Romantic History, 1770–1845 ed. by Porscha Fermanis and John Regan (review)
  2. Timothy Campbell
  3. pp. 201-204
  4. restricted access
  1. The History of Missed Opportunities: British Romanticism and the Emergence of the Everyday by William H. Galperin (review)
  2. David Collings
  3. pp. 204-206
  4. restricted access
  1. Modernity’s Mist: British Romanticism and the Poetics of Anticipation by Emily Rohrbach (review)
  2. Michael Nicholson
  3. pp. 206-208
  4. restricted access
  1. Sweet Science: Romantic Materialism and the New Logics of Life by Amanda Jo Goldstein (review)
  2. Richard C. Sha
  3. pp. 208-210
  4. restricted access
  1. Le Frankenstein français et la littérature de l’ère révolutionnaire by Julia V. Douthwaite (review)
  2. Constance de Font-Réaulx
  3. pp. 210-212
  4. restricted access
  1. Mary Shelley by Angela Wright (review)
  2. Lisa Vargo
  3. pp. 212-217
  4. restricted access
  1. AMP by Jody Christopherson (review)
  2. Charles Cuykendall Carter
  3. pp. 217-218
  4. restricted access
  1. Frankenstein (review)
  2. Morton D. Paley
  3. pp. 219-221
  4. restricted access
  1. Playing with Fire (After “Frankenstein”) by Barbara Field (review)
  2. Kelli M. Holt
  3. pp. 221-222
  4. restricted access
  1. The New Mel Brooks Musical: Young Frankenstein by Mel Brooks (review)
  2. Greg Kucich
  3. pp. 222-224
  4. restricted access
  1. The Song Cycles of Charlotte Smith’s “Beachy Head.” by Amanda Jacobs (review)
  2. Judith Phillips Stanton
  3. pp. 224-226
  4. restricted access
  1. Books Received
  3. pp. 227-228
  4. restricted access

Previous Issue

Volume 66, 2017

Next Issue

Volume 68, 2019