1. Editors' Introduction Tango Dancing with María Lugones: Toward Decolonial Feminisms
  2. Emma Velez, Nancy Tuana
  3. pp. 1-24
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  1. Gender and Universality in Colonial Methodology
  2. María Lugones
  3. pp. 25-47
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  1. Aspects of the Coloniality of Knowledge
  2. Sarah Lucia Hoagland
  3. pp. 48-60
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  1. The Aisthetic-Cosmological Dimension of María Lugone's Decolonial Feminism
  2. Alejandro A. Vallega
  3. pp. 61-83
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  1. Stillness, Aesthesis, Resistance
  2. Omar Rivera
  3. pp. 84-101
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  1. Border Zones, In-Between Spaces, and Turns: On Lugones, the Coloniality of Gender, and the Diasporic Peregrina
  2. Ofelia Schutte
  3. pp. 102-118
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  1. Compelled to Cross, Tempted to Master: Affective Challenges in Lugones's Decolonial Feminist Methodology
  2. Shireen Roshanravan
  3. pp. 119-133
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  1. The Pornotrope of Decolonial Feminism
  2. Selamawit D. Terrefe
  3. pp. 134-164
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  1. Interlocking, Intersecting, and Intermeshing: Critical Engagements with Black and Latina Feminist Paradigms of Identity and Oppression
  2. Kathryn Sophia Belle
  3. pp. 165-198
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  1. Lugones's World-Making
  2. Linda Martín Alcoff
  3. pp. 199-211
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  1. Complex Communication and Decolonial Struggles: The Forging of Deep Coalitions through Emotional Echoing and Resistant Imaginations
  2. José Medina
  3. pp. 212-236
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  1. Toward a Decolonial Feminist Imaginary: Decolonizing Futurity
  2. Eduardo Mendieta
  3. pp. 237-264
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  1. Fanon's Body: Judith Butler's Reading of the "Historico-Racial Schema"
  2. Eyo Ewara
  3. pp. 265-291
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  1. "What Are You?": Addressing Racial Ambiguity
  2. Céline Leboeuf
  3. pp. 292-307
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  1. Between Two Worlds: Jean Price-Mars, Haiti, and Africa ed. by Celucien L. Joseph, Jean Eddy Saint Paul, and Glodel Mezilas (review)
  2. Ashley Lamarre
  3. pp. 308-310
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