1. Editor's Preface
  2. Juliette M. Rogers
  3. pp. 11-13
  4. DOI: 10.1353/wfs.2019.0013
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  1. À la mémoire D'Adèle C. King (27 juillet 1932 – 16 novembre 2018)
  2. Christiane Makward
  3. pp. 14-15
  4. DOI: 10.1353/wfs.2019.0014
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  1. Souvenirs en hommage à Adèle King
  2. Annabelle Rea, Colette Trout
  3. p. 16
  4. DOI: 10.1353/wfs.2019.0015
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  1. Special Dossier Le désastre naturel au féminin: Women Writing Disaster in the French-Speaking World Introduction
  2. Julia L. Frengs
  3. pp. 17-19
  4. DOI: 10.1353/wfs.2019.0016
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  1. Hidden in Plain Sight: Post-Quake Portraits of the Disenfranchised in the Writings of Emmelie Prophète and Kettly Mars
  2. Linda S. Alcott
  3. pp. 20-33
  4. DOI: 10.1353/wfs.2019.0017
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  1. 'The Natural Elements Unchained': Trauma, Disability, and Gisèle Pineau's Poetics of Disaster
  2. Laura Loth
  3. pp. 34-48
  4. DOI: 10.1353/wfs.2019.0018
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  1. Ecofeminist Ethics and Environmental Injustice in Nancy Huston's Le Club des miracles relatifs
  2. Patrice J. Proulx, Susan Ireland
  3. pp. 49-61
  4. DOI: 10.1353/wfs.2019.0019
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  1. Touria Oulehri: Du corps morcelé au corps reconstruit
  2. Latifa Zoulagh
  3. pp. 62-74
  4. DOI: 10.1353/wfs.2019.0020
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  1. Literary Articulations of Attention Deficit Hyperactivity Disorder and Mild Autism in Perrault's Little Red Riding Hood
  2. Lavinia Horner
  3. pp. 75-88
  4. DOI: 10.1353/wfs.2019.0021
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  1. The Tyrannical Mother In Madame De Staal-Delaunay's Eighteenth-Century Comedies
  2. Theresa Varney Kennedy
  3. pp. 89-99
  4. DOI: 10.1353/wfs.2019.0022
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  1. Reappropriating Honnêteté: Madame de Staël's comte d'Erfeuil and National Character in Post-Revolutionary France
  2. Karen Nehlsen Manna
  3. pp. 100-118
  4. DOI: 10.1353/wfs.2019.0023
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  1. Imagining Women at War: Jane Dieulafoy's 1913 Campaign
  2. Margot Irvine
  3. pp. 119-130
  4. DOI: 10.1353/wfs.2019.0024
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  1. Cannibal Plants: Tropiques and Martinican Aesthetics
  2. Gina Stamm
  3. pp. 131-142
  4. DOI: 10.1353/wfs.2019.0025
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  1. Maria Koleva: divisions identitaires entre l’Est et l’Ouest européens
  2. Guergana Gougoumanova
  3. pp. 159-169
  4. DOI: 10.1353/wfs.2019.0027
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  1. Excès et métamorphoses de la peau dans Truismes de Marie Darrieussecq
  2. Dominique Carlini Versini
  3. pp. 170-186
  4. DOI: 10.1353/wfs.2019.0028
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  1. Mus(e)ing Bodies in Nancy Huston and Guy Oberson's Poser nue
  2. Polly Galis
  3. pp. 187-198
  4. DOI: 10.1353/wfs.2019.0029
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  1. Valérie Trierweiler, ou la nouvelle autobiographie politique française
  2. Ania Wroblewski
  3. pp. 199-212
  4. DOI: 10.1353/wfs.2019.0030
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  1. Maryline Desbiolles en toutes lettres: Entretien
  2. Karin Schwerdtner
  3. pp. 213-222
  4. DOI: 10.1353/wfs.2019.0031
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  1. Guerre et paix. Figures du conflit dans les littératures et films francophones by Isabelle Favre (review)
  2. Cheryl Toman, Romain Delaville
  3. pp. 223-224
  4. DOI: 10.1353/wfs.2019.0032
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  1. We met in Paris: Grace Frick and Her Life with Marguerite Yourcenar by Joan E. Howard (review)
  2. Katarzyna Peric
  3. pp. 224-226
  4. DOI: 10.1353/wfs.2019.0033
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  1. Présence du roman gothique anglais dans les premiers romans de George Sand by Marilyn Mallia (review)
  2. Tessa Nunn
  3. pp. 226-227
  4. DOI: 10.1353/wfs.2019.0034
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  1. Simone de Beauvoir: Le combat au féminin by Éric Touya de Marenne (review)
  2. E. Nicole Nunn
  3. pp. 227-229
  4. DOI: 10.1353/wfs.2019.0035
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  1. Henry James's Feminist Afterlives—Annie Fields, Emily Dickinson, Marguerite Duras by Kathryn Wichelns (review)
  2. Karen Ferreira-Meyers
  3. pp. 229-230
  4. DOI: 10.1353/wfs.2019.0000
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  1. La vie des autres : Sophie Calle et Annie Ernaux, artistes hors-la-loi by Ania Wroblewski (review)
  2. Laura Dennis
  3. pp. 230-231
  4. DOI: 10.1353/wfs.2019.0001
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  1. Criminelles : Le crime à l'épreuve du féminin dir by Hélène Barthelmebs-Raguin et Matthieu Freyheit (review)
  2. Colette Trout
  3. pp. 232-233
  4. DOI: 10.1353/wfs.2019.0002
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  1. Sans fards, mélanges en l'honneur de Maryse Condé dir. by Laura Carvigan-Cassin (review)
  2. Gloria Kwok
  3. pp. 233-234
  4. DOI: 10.1353/wfs.2019.0003
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  1. Water Imagery in George Sand's Work dir. by Françoise Ghillebaert (review)
  2. Cyrielle Faivre
  3. pp. 234-236
  4. DOI: 10.1353/wfs.2019.0004
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  1. Nouveaux entretiens avec Maryse Condé, écrivain et témoin de son temps by Françoise Pfaff (review)
  2. Christiane Makward
  3. pp. 236-237
  4. DOI: 10.1353/wfs.2019.0005
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  1. Approaches to Teaching the Works of Christine de Pizan ed. by Andrea Tarnowski (review)
  2. Arianne Margolin
  3. pp. 238-239
  4. DOI: 10.1353/wfs.2019.0006
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  1. Do You Hear in the Mountains… and Other Stories by Maïssa Bey (review)
  2. Gina Marie Breen
  3. pp. 239-240
  4. DOI: 10.1353/wfs.2019.0007
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  1. The Provocative Colette by Annie Goetzinger (review)
  2. Melanie Collado
  3. pp. 241-242
  4. DOI: 10.1353/wfs.2019.0008
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  1. Niki de Saint Phalle: The Garden of Secrets by Dominique Osuch (review)
  2. Cheryl Toman
  3. pp. 242-243
  4. DOI: 10.1353/wfs.2019.0009
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  1. Palimpseste by Valérie Rinaldo (review)
  2. Annabelle M. Rea
  3. pp. 243-244
  4. DOI: 10.1353/wfs.2019.0010
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  1. I Die by This Country by Fawzia Zouari (review)
  2. Jennifer Howell
  3. pp. 244-246
  4. DOI: 10.1353/wfs.2019.0011
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  1. Notes on Contributors
  2. pp. 247-250
  3. DOI: 10.1353/wfs.2019.0012
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