1. Dante e la decima Musa: la prima versione cinematografica dell'Inferno
  2. Saverio Bellomo (†)
  3. pp. S-1-S-15
  4. DOI: 10.1353/mln.2019.0053
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  1. Boccaccio Reading Cino Reading Dante in Filostrato 5.62–66
  2. Igor Candido
  3. pp. S-105-S-117
  4. DOI: 10.1353/mln.2019.0060
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  1. Forgetting Dido: A Note on the Decameron, Introduction to Day Four
  2. Francesco Caruso
  3. pp. S-118-S-125
  4. DOI: 10.1353/mln.2019.0061
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  1. Philology, Philosophy and Boccaccio
  2. Christopher S. Celenza
  3. pp. S-126-S-137
  4. DOI: 10.1353/mln.2019.0062
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  1. Music in Trecento Italy and the Soundtrack of Boccaccio's Decameron
  2. Francesco Ciabattoni
  3. pp. S-138-S-151
  4. DOI: 10.1353/mln.2019.0063
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  1. On Boccaccio's Debt to Stoicism
  2. Michael Papio
  3. pp. S-152-S-166
  4. DOI: 10.1353/mln.2019.0064
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  1. Purgatorio 32: Dante apocalittico
  2. Renzo Bragantini
  3. pp. S-16-S-32
  4. DOI: 10.1353/mln.2019.0054
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  1. Perfect Beauty: Echoes of Dionysius of Halicarnassus in the Poetry and Music of the Trecento
  2. Susan Forscher Weiss
  3. pp. S-167-S-183
  4. DOI: 10.1353/mln.2019.0065
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  1. Riguardando Giovanni Boccaccio: Narrative Distraction as Self-Care in Franco Sacchetti's Trecentonovelle
  2. Martin Marafioti
  3. pp. S-184-S-192
  4. DOI: 10.1353/mln.2019.0066
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  1. The Revolution of the Hand: Scripts and Manuscripts in Poggio Bracciolini's Florence
  2. Roberta Ricci
  3. pp. S-193-S-214
  4. DOI: 10.1353/mln.2019.0067
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  1. Erotomania, Melancholy, Nostalgia: A Renaissance Perspective
  2. Massimo Ciavolella
  3. pp. S-215-S-223
  4. DOI: 10.1353/mln.2019.0068
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  1. "Componimento mio anch'essa": Annibale Guasco's Ragionamento a Donna Lavinia sua figliuola
  2. Andrea Baldi
  3. pp. S-224-S-238
  4. DOI: 10.1353/mln.2019.0069
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  1. Tasso, Virgilio e il "sanguinoso manto" di Goffredo: intertestualità e riscrittura nella Gerusalemme liberata
  2. Laura Benedetti
  3. pp. S-239-S-251
  4. DOI: 10.1353/mln.2019.0070
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  1. Tasso, Poet of Doubt
  2. Walter Stephens
  3. pp. S-252-S-271
  4. DOI: 10.1353/mln.2019.0071
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  1. When Good Girls Go Bad (Or Do They?): Nymphomania and Lycanthropy in Verga's "La Lupa"
  2. Ilona Klein
  3. pp. S-272-S-285
  4. DOI: 10.1353/mln.2019.0072
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  1. Lions and Tigers and Piracy!: Colonialism in Two Versions of Emilio Salgari's Sandokan
  2. Sarah Annunziato
  3. pp. S-286-S-302
  4. DOI: 10.1353/mln.2019.0073
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  1. Viaggi e itinerari (in)compiuti della poesia italiana del dopoguerra: una nota sulla poesia di Giorgio Simonotti Manacorda
  2. Stefano Giannini
  3. pp. S-318-S-331
  4. DOI: 10.1353/mln.2019.0075
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  1. Dante e Galileo
  2. Roberto Fedi
  3. pp. S-33-S-39
  4. DOI: 10.1353/mln.2019.0055
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  1. Calvino's Ariosto's Orlando: Selection, Omission, Praise, Paraphrase
  2. John C. McLucas
  3. pp. S-332-S-344
  4. DOI: 10.1353/mln.2019.0076
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  1. Life is a Relational Experience: Teaching Choosing Civility
  2. Elsa Filosa
  3. pp. S-358-S-371
  4. DOI: 10.1353/mln.2019.0078
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  1. Contributors' Biographical Notes
  2. pp. S-372-S-381
  3. DOI: 10.1353/mln.2019.0079
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  1. Bibliography
  2. pp. S-382-S-418
  3. DOI: 10.1353/mln.2019.0080
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  1. Dante's Artistry in Purgatorio
  2. Christopher Kleinhenz
  3. pp. S-40-S-55
  4. DOI: 10.1353/mln.2019.0056
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  1. Natural Asymmetries: Medicine and Poetry in Decameron VI. 9 and Decameron VIII. 9
  2. Susanna Barsella
  3. pp. S-56-S-77
  4. DOI: 10.1353/mln.2019.0057
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  1. Madonna Filippa: A Model of Polyamory in the Decameron
  2. Annelise Morani Brody
  3. pp. S-78-S-89
  4. DOI: 10.1353/mln.2019.0058
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  1. The Author in the Pine Tree: Allegorized Autobiography and Arboreal Mythology in Boccaccio's Filocolo and Decameron
  2. Federica Brunori Deigan
  3. pp. S-90-S-104
  4. DOI: 10.1353/mln.2019.0059
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  1. Editors' Introduction: Tradition and the Individual Text
  2. Federica Brunori Deigan, Francesco Ciabattoni, Stefano Giannini
  3. pp. S-ix-S-xx
  4. DOI: 10.1353/mln.2019.0051
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  1. A Metamorphosis of Love in Dante and Others.
  2. Pier Massimo Forni (†)
  3. pp. S-xxi-S-xxvi
  4. DOI: 10.1353/mln.2019.0052
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