1. “Give me that voice again… Those looks immortal”: Gaze and Voice in Keats’s The Eve of St. Agnes
  2. Daniela Garofalo
  3. pp. 353-373
  4. DOI: 10.1353/srm.2010.0014
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  1. The Map at the Limits of His Paper: A Cartographic Reading of The Prelude, Book 6: “Cambridge and the Alps”
  2. Julia Sandstrom Carlson
  3. pp. 375-404
  4. DOI: 10.1353/srm.2010.0015
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  1. Dead Faith and Contraband Goods: Joanna Southcott and the Logic of Sexuation
  2. David Sigler
  3. pp. 405-425
  4. DOI: 10.1353/srm.2010.0016
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  1. Milton’s Heirs: Epic Poetry in the 1790s
  2. Joseph Crawford
  3. pp. 427-443
  4. DOI: 10.1353/srm.2010.0017
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  1. Coleridge, Hume, and the Principles of Political Knowledge
  2. Timothy Michael
  3. pp. 445-475
  4. DOI: 10.1353/srm.2010.0018
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  1. Imagining Things as They Are
  2. Eric Lindstrom
  3. pp. 477-506
  4. DOI: 10.1353/srm.2010.0019
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  1. Bright Star by Jane Campion (review)
  2. Grant F. Scott
  3. pp. 507-512
  4. DOI: 10.1353/srm.2010.0020
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  1. Coleridge and German Philosophy. The Poet in the Land of Logic by Paul Hamilton (review)
  2. Alexander Schlutz
  3. pp. 512-517
  4. DOI: 10.1353/srm.2010.0021
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  1. William Blake and the Art of Engraving by Mei-Ying Sung (review)
  2. Alexander Gourlay
  3. pp. 518-523
  4. DOI: 10.1353/srm.2010.0022
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  1. Advertising and Satirical Culture in the Romantic Period by John Strachan (review)
  2. Mike Chasar
  3. pp. 523-527
  4. DOI: 10.1353/srm.2010.0023
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  1. Notes on Contributors
  2. pp. 529-530
  3. DOI: 10.1353/srm.2010.0024
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